A Quote by Rosario Dawson
Digital distribution is a whole other way of communicating with your fans and giving them content at their leisure. It's like, there are people making music in their igloos on their PDAs. You're going to see the exact same thing with film.
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Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.
We are in the age, obviously, of digital content, of the internet content. The one thing that I think this pandemic is going to do is going to explode this kind of digital content.
My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
Music's always going to evolve, and we can't really stop that, so we have to figure out what's the next thing and how we move towards that as opposed to just being like, 'Oh, cool: let's just continue making tear-out EDM hits that are gonna last 2 months, and then somebody else is making the exact same thing under a different name.'
We see ourselves as the world's digital library. That can be a lot more than books. We do want to expand to other types of content: sheet music, magazines, user-generated content.
It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.
Music to me is a way of communicating without words.I think music is second to only smell in its ability to transport you without you wanting to be transported. Like if you smell your ex boyfriend's cologne. Like somewhere in public you sort of flinch and look over your shoulder. You wonder if that person is around. Same thing happens with music. It's really influenced my life a lot, even in times when I didn't want it too. A song will affect you in such a cheesy corny way, but you are affected so deeply in the moment despite yourself.
What I want to do is make things that I think people want to watch. I'm a film fan, so I think I'm in touch with other film fans and that they might want to watch stuff. The other reason I really don't care is because no matter what you do in life, no matter what you wear, or what you say, people are going to like it or they're not. And that is all. Everything, down to the socks I chose today - people are going to like them or they're not and there's nothing you can do about that.
The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.
There's something very satisfying about old cameras because they're ingenious. I mean when you take them apart and actually see, 'Oh, this is how we make photographs,' it's an ingenious thing, but it feels like it's in a way a layman can appreciate, whereas a digital camera, I don't even begin to know what goes into making a digital camera.
It's really important for me that the people who listen to my music get something that can hopefully help them get through whatever they're going through. Music is the only thing that's able to help sooth my soul in that way, and my goal is to always put things out there that that do the same thing for other people.
Digital piracy needs to be addressed. Without content protection, investment in content can't be supported. We need secure distribution. If you (telecommunications equipment and software makers) help us, we will make it easier for you to distribute our content.
For me, style is something that I've always loved. It's more than just, "Oh I make this type of music, so I should dress this type of way." But it's very important. On the other hand, if I was on stage in a hoodie and some baggy jeans, it wouldn't give off the same feeling. People appreciate the music, but people want to see the whole visual thing.
I'm trying to work out a way to be a singer and to create cool content. I'm willing to do that as an entertainer. But I'm not willing to give up my actual self. And the way the system is built up, there'll be a backlash soon. Just recently some people published 11 photos of Sia's face. It's a bummer for me because it's going to elevate my profile and make me more recognizable. But I don't look the same as I did when I used to have my photo taken. Music is for your ears, not your eyes, right? But film is for your eyes, and I would like to give you something.
Film has a magical process to it. The dailies, and the thing you see on your little film monitor, that's not the same thing that's going to be projected.
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