A Quote by Roscoe Mitchell
I'm the kind of guy that if I go to a concert and hear something that knocks me out, I don't want to be left out of that. I'm going to try to get into that, and I'm running back home to practice.
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I think there are two ways of eating, or cooking. One is restaurant food and one is home food. I believe that people have started making food that is easy that you want to eat at home. When you go out to a restaurant, you want to be challenged, you want to taste something new, you want to be excited. But when you eat at home, you want something that's delicious and comforting. I've always liked that kind of food - and frankly, that's also what I want to eat when I go out to restaurants, but maybe that's me.
Like if you all were going to go out and one guy's like "you know what man I'm going to stay home I'm feeling kind of shitty," you go, "You faggot." That's what it means. It's about a guy wimping out, being a douchebag...it has nothing to do with your sexual orientation.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
We're actors at the end of the day. I don't take it home with me. My experience outside of work, I love... when I hear wrap, it's the most exciting part of my day. I'm the first to have my make-up off, in the car, out. I've gotta go home. I want to get back to my life. I love it back there.
I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.
With the way I worked, a client can give me everything they know about something, and then I go away and come back with advertising that knocks them out of their chair. They finally understand what kind of a company they are.
I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
I've been shooting the ball and running a little bit. It's just going out here now and forgetting that I've been out and try to get back in and make sure I know what's going on out there on the floor and that we're just not lost as a team.
I wouldn’t want you to get in the shower and then pass out or some such. How about if I help you get out of your clothes? I’m an expert in platonic undressings.” He gave me that wicked smile. “Give it a rest. I’m not going to strip naked in front of you, and I’d rather pee in private.” “Half the injuries in a home happen in the bathroom. What kind of friend would I be to let you face that kind of danger alone? I mean, sure, you walked out of death, but this is a shower.” “Shame. Get out of my bathroom.
I'm going out with these old guys. One guy gave me a hickey and left his teeth in my neck. Another man, we were having a perfectly lovely dinner; he looked up and me and went: You're not my wife! Another guy died during dinner. I had to go in his pocket to get the American Express card. Then you wonder: What would he tip? Another guy said: I want you to meet my family, and took me to the cemetery.
Some weeks, I'll go super-hard at practice for two straight days, but then the third day, something happens away from basketball, and I'll lose focus. I'll say, 'I just want to get through practice. I don't want to conquer it today.' But then I'll go home and realize I missed a chance to get better, and it'll bother me.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
I'm kind of like a black unicorn out there. It's amazing to watch. You go out there and you see a big, black guy running down the field, it's usually me.
Sometimes I would go home from work and just stare at the wall for a couple of hours. But, I can't complain. Whatever knocks you out working is the kind of work that I want to be doing because it's always those challenges that are the most exciting, and the things I hope to get to keep doing in my work.
Certain guys are different. A guy like Marshawn Lynch, he's more of a running through a guy. Mine is to get a guy off balance and going through an arm tackle, go through a shoulder, those types of things. Get them going one way and try to hit the other side.
A concert is my experimentation time. I practice playing something several different ways, but in a concert, inevitably I get more ideas onstage, in that combination of focus and adrenaline, than I could ever get in the practice room.
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