A Quote by Rose

When I mentioned that I miss the trainee days, I guess that's because back then we were in practice for over 14 hours a day, it was almost like school. — © Rose
When I mentioned that I miss the trainee days, I guess that's because back then we were in practice for over 14 hours a day, it was almost like school.
Sometimes, I actually have missed my trainee days. Because, back then, we were surrounded by music all the time.
A normal day of working in Burbank is 14 hours, sometimes more. On 'The Revenant' sometimes it was eight hours, but we were shooting only five. So they were short days, but they were very strenuous because of the weather. And it was very dark.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
I wish there were 48 hours in a day and 14 days in a week.
I'm from Texas and actually went to a regular high school, but every day after school I'd run to dance class and practice a lot and then go back the next day and stuff like that.
If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it.
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
I practiced for at least two hours every day for twenty years, before then I practiced maybe four to five hours a day, and before then 14 hours a day. It was all I had ever done.
There's a hysterical, tired sense of humor that comes after working 14 hours a day, six days a week. I like those things because they take the pressure off the constant stress.
There's a hysterical, tired sense of humor that comes after working 14 hours a day, six days a week. I like those things because they take the pressure off the constant stress
When doctors tell you that your only hope for survival is 14 straight days of intense chemotherapy, 24 hours a day, you sit there, and you count down the 336 hours. You see, each day is a blessing.
You may work under incredible pressure over two hours in a day, but you're often around that studio 14 to 16 hours of that day.
I was 14, but it was on a thing called day release, so we took the day off school on a Wednesday to train and do school at Cobham, and at the end of the day, we got asked to train with the first team just because of numbers. There was a drill where it was like a 1v1 drill, and I got partnered with Drogba. I was going 1v1 with Drogba when I was 14.
There were hard days when you'd be screaming for hours and then the next day, you'd have a scene where you were just talking and because your voice was so stretched out from screaming for five hours, it would sound weird. It required a lot of adrenaline, too, so you have to be able to turn it on all the time. You felt a bit thin at the end of it, just depleted.
Because I am kind of distracted, I don't tend to sit at my desk 9 to 5. It can be two hours a day, or, when I'm in the final editing stages, it can be 14 hours a day.
The music kind of takes care of itself because we've done all that as preproduction in the practice room. So by the time it gets onstage, each song has about one hundred hours of way too much mothering gone into it. So when you see us play live, that is the product of ninety days of practice, over a year of writing, listening to demos on the weekends after practice.
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