A Quote by Rose Byrne

I see some of the clothes from the '90s is back in fashion. That really freaks me out because that's when I grew up. — © Rose Byrne
I see some of the clothes from the '90s is back in fashion. That really freaks me out because that's when I grew up.
I grew up in the '90s loving the basketball sneakers, and that's where fashion really started for me.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
I really learned a lot from collecting clothes because I got to go back into the history of fashion and fashion photography and jewelry. It changed how I felt about fashion and about what I did forever because I used to look a little bit down on myself for it.
There was no indie rock band in the 90s at the level of, like, Grizzly Bear. I listen to their records and it's crazy how good they sound. That really freaks me out.
I stopped feeling nostalgia for the moment because I imagine myself looking back on it from the future, which really freaks me out.
I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.
Citizenship has been out of fashion for some decades in our country, but now it is back in fashion. Weekends are for fighting tyranny. And that's why it's going to be really fun to see Democracy Now!
I grew up in the '90s. My goal isn't to be a '90s rapper, but I have little hints of '90s influence in my music. It's a modern approach to classic rap.
I am a product of '90s movies. I grew up watching '90s films and wanted to become an actor because that was the phase of cinema I enjoyed.
I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.
At 15, I was modeling. I had to do my own hair and makeup. I also made my own clothes because I grew up in South Africa, where fashion was six months behind because of the seasons.
With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.
I grew up in the '90s and remember the lyrics back then were so abstract and open to interpretation. That always drove me crazy.
I'm really eager to go back and do some theater. I would love to do some more comedy as well because I think that's really the hardest thing to do; it's what I grew up doing, and I would love to go back and do that. I did a lot of theater growing up - musical theater.
I mean, a lot of people don't realize it, but fashion is one of the most racial industries left out there now. Radio and music aren't. Television and movies aren't. Even commercials now are showing interracial couples. You see a lot of diversity in TV shows, but you don't see that in fashion. You think there would be some, because the consumer is of all colors and all shades. But you don't see that in fashion.
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