A Quote by Rose Byrne

What's weird about the cinema business is that you have to have a thick skin while remaining vulnerable as an artist. It comes with time. You get dumped, your heart gets broken.
If people don't like your act, it feels a little bit more like they don't like you as opposed to they didn't like that character... It's weird because on one hand, we make our living from being permeable and vulnerable, but we also have to have very thick skin.
If your friend is critical [of your work], you have to have a very thick skin and a thick skin is something that only builds up after it's callused for awhile.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
You will lose someone you can’t live without,and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also the good news. They live forever in your broken heart that doesn’t seal back up. And you come through. It’s like having a broken leg that never heals perfectly—that still hurts when the weather gets cold, but you learn to dance with the limp.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
You and I both know there's got to be some greater storyline for you than 'girl gets heart broken, was sad forever'. I think a nice one would be 'girl gets heart broken, was sad for a while but in her heartbreak she found freedom, friends, and the ability to look back and laugh at all she'd learned. She now lives her life on her own terms and still has fantastic hair.'
People say that one of the most important things about being an actor is to have thick skin, but I don't think that's it. Because you can't just walk around being tough, you have to be able to be vulnerable to do this. So really, it's about not being defensive.
I have been heart broken. You can't breathe, your eyes are pouring a thousand tears a second and you can't foresee going on with love because you never want to feel this way again. But then you have to look in the mirror and say 'Shut up, eat some ice cream, be by yourself for a while and think about who you are and who you want to be - then, go out and find someone compatible.' A broken heart feels like the worst thing in the whole world, but it really helps you decide what you want and don't want. You learn a lot from a broken heart.
A question I often get is, "How do you maintain your sanity with so much happening all around you?" I think I developed a certain mental toughness that is required in the business. You have to have a thick skin and a brass bottom, because you're going to kicked a lot.
To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.
The book [The Miraculous Journey of Edward Tulane] is about the fact that living in this world means that your heart is necessarily going to get broken. But the book also says that's okay. That's the only way to live a truly human life - with your heart getting broken - and eventually getting flooded with love.
It changes you a little bit every time you either break someone's heart or get your heart broken.
Whatever gets your goat gets your attention. Whatever gets your attention gets your time. Whatever gets your time gets you. Whatever gets you becomes your master. Take care, lest a little thing horn in and get your goat
If you can, start your own business while you're working another job so that your bills get paid. Choose something that you love, so that when you're exhausted when you come home from work, you're actually looking forward to your 3 hours every night that you can apply to your business, either after your kids go to sleep or while they're watching TV or while they're doing their homework, however you can budget your time. Instead of a chore, choose something you love so you absolutely look forward to it.
You've got to have thick skin in this business.
You have to have a thin skin. As a creative person, you have to. You can't get a thick skin.
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