A Quote by Rose George
The first thing I did when I decided that I was going to dive into the world of poop was look at who was doing stuff in that world. The first I came across was the World Toilet Organization. So one of the first things I did was to go to their annual show in Moscow.
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I acted before I sang. And I did The Cosby Show, and things like that. But the music kind of came first. And it was a part of my essence. So I knew that I would evolve into this world.
The first acting thing I ever did was my senior year I decided not to play a sport in the Spring and, in that Spring B.J. Novak who went to school with me, asked if I'd be in this show that was a parody of all the teachers in the school, 'sure!' That was the first acting thing I did.
Here's the most mysterious thing to me. I look back at those first plays I did and the first movies I did, and I only have one question, which is, 'What was I so confident about? Where did I get that?
Who was born first, you or the world? As long as you give first place to the world, you are bound by it; once you realize, beyond all trace of doubt, that the world is in you and not you in the world, you are out of it. Of course your body remains in the world and of the world, but you are not deluded by it.
When I first was on Big Time Rush, the TV show, I did a lot of silly things. Among the first episodes that came out, my buddies wanted to have a viewing party, so we turned it into a drinking game. Every time I did something dumb, we took a shot. We were hammered!
My first rap name was Ralo. Because my first name is Carlos. I likened myself to what Busta Rhymes was doing when he first came out. And what Onyx did when they first came out - they reminded me of me.
When I first came in, I won a world championship pretty fast. Then I worked with John Morrison and Daniel Bryan, became King of the Ring, went back to 'SmackDown,' became the world champion again, won the Rumble, did a lot of things, went away after an injury.
I was the first son and first child. When my sister came along, well, she was two years younger, and I had to go to the golf course because my mother couldn't handle all the action going on. So I came with father to the golf course since I was a year and a half old and I spent the day with him here, and it worked in naturally. And it was fun for me being with my father, and doing things that a kid did it was great.
When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.
I've always loved Mary Shelley's Frankenstein. There's this wonderful chapter in which we get a first-person account of the monster's first impressions of the world, being in the woods and taking things in. We're seeing the world as if for the first time. That's just fascinating.
When I first met him, he did not care if a friend did not fit into his world, because at that time his world had not been born yet.
Away back in that time-in 1492 - there was a man by the name of Columbus came from across the great ocean, and he discovered the country for the white man. . . . What did he find when he first arrived here? Did he find a white man standing on the continent then? . . . I stood here first, and Columbus first discovered me.
I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.
Also I wanted to be an explorer when I was a kid. That was my first idea of what would be a really great thing to do in the world: to discover unknown things and pick around in them and see what you could bring back home to go, 'Look! The world is bigger than you thought it was.'
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
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