A Quote by Rose Kennedy

I do not like candid pictures. They are so unattractive. — © Rose Kennedy
I do not like candid pictures. They are so unattractive.
My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.
If the perfect Son of God is unattractive to you, then obviously you are an unattractive person.
If indeed you must be candid, be candid beautifully.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
It's all very confusing. I think I'm very honest and candid, but I'm also proud of how honest and candid I am -- so where does that put me?
There are photographic fanatics, just as there are religious fanatics. They buy a so-called candid camera there is no such thing: it’s the photographer who has to be candid, not the camera.
Being attractive for a few hours some evening is hardly worth being that unattractive all day (in hot rollers). Being yourself and being natural with a man is wonderful, but being downright unattractive with him is foolish.
Small pictures since the Renaissance are like novels; large pictures are like dramas in which one participates in a direct way.
Not all pictures but some pictures you're like, "Wow, I wish I could be there" or you feel like you are there. I don't know what it is about cinematography.
I don't like gimmicky pictures; I've always hated them. I like pictures that are very clear and clean, whether you're a great street photographer - somebody like Friedlander or Winogrand or Cartier-Bresson - or whether you're a portraitist, like Irving Penn.
I like taking pictures of other people more than I like to take pictures of myself.
I want pictures like these. The kind that can capture a moment, make it real, make it last. I need pictures that do more than reflect. I need pictures that are truth.
Pictures often sit inside of pictures, but the edges of pictures and objects are rarely subjected to serious challenge; we are presented with distinct, whole pictures and objects.
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
I feel like I become somebody else when I do the pictures. I don't like doing pictures as myself. I like to be made into somebody different.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
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