A Quote by Rose Leslie

You always try to play it off cool, but even if I think I have a certain laidback body language when I'm meeting someone who I greatly admire, I still have this horrible tendency to go bright red.
Being able to incorporate my language into songs is really cool. It's really cool to see that people are susceptible to it. It helps with writing a lot to turn off one language and then go to another.
There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
I have this tendency to play these horrible, horrible characters.
Someone once told me I looked good in red, so I bought every piece of clothing in red and bright-red lipstick. I had huge hair, as big as I could tease it and spray it.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
Now, I don't actually know the exact cut-off age where beautiful ceases and "must have-once-been-beautiful" begins. It's true it's not forty-five. I can still get attention when I try really hard, even if it's greatly reduced.
Now, I don't actually know the exact cut-off age where beautiful ceases and 'must have-once-been-beautiful' begins. It's true it's not forty-five. I can still get attention when I try really hard, even if it's greatly reduced.
Just as Jack Lewis could go through a whole life without meeting someone that he loved, so you can go through whole career on the stage, never meeting a play that says the kind of things you feel deeply about!
In football, you get criticised if you are sent off. It's my style of play, and nobody can make me change that. Even if I get another red card, then that happens. You become cleverer, maybe look more, and since my red card, I think things have improved.
You can always get something cool out of a collaboration - you can always have a moment - but meeting someone that you want to collaborate with continuously, that's a different thing.
Being taught to despise your body is being taught to perhaps admire someone else's body more than yours - being taught that your body is good for certain things and not for others.
I admire certain priests and nuns who go off on their own and do God's work on their own, who help in the ghettos, but as far as the institution of the church is concerned, I think it is despicable.
Even if I'm exhausted, I always try to go into a show with a smile on my face. It's always good to try and bring the energy up. If I'm in a bad mood, people are going to act bad. The energy you give off is the energy you receive. I really think that, so I'm always myself - jumping, dancing, singing around, trying to cheer everybody up.
When you're climbing with someone who always sees the bright spot, even if there is no bright spot, that attitude is really helpful.
[Leonardo DiCaprio] is so cool. He was one of the coolest, down-to-earth people that I think I've ever met. I've never experienced meeting someone like that, [who could] just be so cool and down-to-earth and welcoming.
The earliest issue I can remember going through was body image issues. I was a chubby little kid and I got made fun of for it. I dealt with horrible, horrible self esteem issues, and I still struggle with that. I think it's what taught me a lot of empathy and compassion, though, but there are those days where I look in the mirror and I still see twelve year old fat Sara.
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