A Quote by Rose Leslie

The phenomenon that is 'Game Of Thrones' has propelled many actors associated with it into the minds of directors and producers, and it's a fabulous position to be in. It's because it's so adored and respected, of such high quality with such amazing cinematography.
The quality of television is becoming so good from an actor standpoint, where you get to do these amazing scenes with amazing directors and cinematography.
The quality of Korean actors is actually quite high. Their passion is overwhelming but not many platforms are available to cater to their creative needs. They're thirsty for something new and I think that's where I connect with them. They have vision. In certain sense many Korean actors have better vision than directors.
I understand the formula that producers hire directors and directors are hired to direct and actors are hired to act. I don't have any conflict with any directors because I know they're the boss.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
I have a lot of friends in Kollywood. I enjoy a very warm relationship with many actors, actresses, directors, and producers here.
There's so much control, so many executive producers, so many people looking over their shoulder, so many people trying to second-guess the boss. The space for writers and directors and actors to be creative is zilch.
It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.
There are the obstacles of your position as an actor, not being a commodity enough to be hired by the big directors for projects that have some kind of integrity, because the successful actors who've been in the game for a while want those roles. So there's more competition, so you have to work harder and be right for it.
What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.
I was really attracted to doing Game of Thrones because I thought the character of Meera was absolutely amazing.
With the film, you have a bunch of executive producers, directors, writers, scripts. There's, management, lighting, the union and etc. There are so many components a part of that game, so naturally it isn't my world.
George Harrison was a fabulous, fabulous, fabulous guitarist, and a wonderful example of what a rock star should be. I totally revered him as an innovator. He was always fresh, daring, magnificently melodic, full of spiritual quality, and totally conscious of the chord structure beneath the solo. And he had the courage to play simple. He never took refuge in effects, or tried to impress with speed. I hope he knew how much we all loved and respected him.
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people's minds to lazy minds.
I don't stay in my trailer. I like to sit in video village, probably to the annoyance of some producers and directors, because they really love to talk about actors, and they can't in front of me.
I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.
Courage is a quality so necessary for maintaining virtue, that it is always respected, even when it is associated with vice.
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