A Quote by Rose Leslie
I'm not yet fortunate enough to take only the scripts that capture my fancy, but each one has to be a new experience, to put me in a light that audiences haven't necessarily seen me before.
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I'm fortunate enough that every job I do seems to be, at the very least, teaching me something fantastic. I make new friends. I work with talented people. And each project and experience seems to be better than the last. I seem to be topping myself all the time. I think to myself: "It can't get better, it can't get better..." And then something happens that makes me feel like I'm truly richer for the experience.
While I don't claim that I feel no pressure, I have strived to take up only those scripts that appeal to me. I've been lucky that the ones I chose were also liked by audiences.
When I started it [non for profit], I thought, I'm not smart enough to do this. I had no experience in management, no experience in administration, no experience in nonprofit; but then this phrase came into my head: I only have to be smart enough to find people who are smarter than me; I only have to be smart enough to recognize who knows more than me.
Each memory was brought to life before me and within me. I could not avoid them. Neither could I rationalize, explain away. I could only re-experience with total cognizance, unprotected by pretense. Self delusion was impossible, truth exposed in this blinding light. Nothing as I thought it had been. Nothing as I hoped it had been. Only as it had been.
Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
Predictability is boring! I want a book to take me someplace I haven't been before, show me sights I haven't seen, make me ponder questions I may not have pondered before.
With each new pair of shoes, each new wrist-watch, each new Walkman or moisture-wicking wonder-material that runners put on, the sport became more alluring to me and to millions of others.
I am willing to put myself through anything; temporary pain or discomfort means nothing to me as long as I can see that the experience will take me to a new level.
Most new discoveries are suddenly-seen things that were always there. A new idea is a light that illuminates presences which simply had no form before the light fell on them.
It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised? When we, ourselves, can taste that freedom.
I'm blessed enough to been in the game for a while and still have my beautiful fans and still have the respect. That's something that gets me going. I'm also fortunate enough to take vacation and take a little hiatus.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
The good news for me is that I have an amazing team behind me, and they've been with me for 20 years now - almost 20 years. And they have seen me as an actress, not necessarily just a black actress. So I have been lucky enough for them to see me that way.
There are always new things to experience, internalize then write about. This process is ongoing with me. It never stops. The opportunity to reach new audiences with all of the music that we have made is thrilling.
We shall not read it for its sociological insights, which are non-existent, nor as science fiction, because it has a general air of implausibility; but there is one high poetic fancy in the New Atlantis that stays in the mind after all its fancies and inventions have been forgotten. In the New Atlantis, an island kingdom lying in very distant seas, the only commodity of external trade is light: Bacon's own special light, the light of understanding.
In each experience of my life, I have had to step out of one little space of the known light, into a large area of darkness. I had to stand awhile in the darkness, and then gradually God has given me light. But not to linger in. For as soon as that light has felt familiar, then the call has always come to step out ahead again into new darkness.
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