A Quote by Rose McIver
I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
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I bring ideas to set, and I'm more than willing for those to be affected and be malleable based on what the other person gives me. I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
I'm just going to get out there and on court, give it my all and that's what I want to do every day. That's what I want to be known for, and that's what I want other players to know about me, that I'm never going to give up.
Let me give you a word of advice. A loyalty that holds fast will become a blade, and will some day pierce those you hold dear. Open both eyes wide. That is, if you… don’t want to end up like me.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
We do see Gong Li, Zhang Ziyi and Chow Yun Fat, but it's very rare to see the Chinese male actor in Hollywood movies, which is something I take great umbrage with. You know, my son is Asian. He may want to direct one day; he may want to be an actor like his father - and I want that to be open to him.
ather than Eisenstein's fast and hard cutting, I like to hold the shot very still and for longer than we're accustomed to. For me personally as a viewer, this technique invariably causes me to have waves of emotions that I think arise from a profound form of mindful awareness and the feelings that go along with that. I am frequently brought to tears by this kind of existential cinematic technique.
Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
Baseball is going to end some day. I realize that as soon as you retire you know, people forget about you in this game fast! There's the next young guy coming up that's always better than you. So, for me, it's just about using baseball as a platform to do a lot of things.
I remember John walking on and starting to play, and my mouth sort of dropped open in disbelief at the power of the playing coming across the stage - and the technique! I've never, ever seen another drummer play quite the way he did.
What I've been noticing is people coming up to me and going, 'Are you an actor?' which is cool. That's ultimately what I want.
As an actor, I like to get a bit of momentum going with a character and kind of work a bit quicker. I mean, not crazy-fast, but, you know, five or six pages a day is a nice pace.
I was lucky to grow up with phenomenal parents who were into talking about things. When something hit me hard as a kid, we'd just talk about it. I'm usually pretty open about what's going on with me. I'm not a great actor in the sense that I can't fake it if I'm going through something difficult.
My dad was a lovely guy. I had great parents. But he was a conservative shopkeeper, and he said, "Look, I don't know how to help you as an actor, but if you want to be an actor, give it a go for a year. Get a job. And if you don't get a job, then we're going to reevaluate and you're going to go back to school." And I thought that was a fair thing.
It passes in the world for greatness of mind, to be perpetually giving and loading people with bounties; but it is one thing to know how to give and another thing not to know how to keep. Give me a heart that is easy and open, but I will have no holes in it; let it be bountiful with judgment, but I will have nothing run out of it I know not how.
It's hard to not get typed in Hollywood. They really want to type you. I'm trying to avoid that, because I want to do a lot of things. I know what I'm capable of. I forgive them because they don't know. They haven't seen me play Hamlet. They're not going to cast me as an English aristocrat. I'm going to have to prove that on my own. That's okay. That's what you have to fight for if you want to be an artist.
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