A Quote by Rose McIver

The best way to study to be an actor is to interact genuinely with the people around you and observe and listen. — © Rose McIver
The best way to study to be an actor is to interact genuinely with the people around you and observe and listen.
One of the great, truly extraordinary privileges of being an actor is to interact with individuals from all walks of life, you know, from avocations that you wouldn't ordinarily interact with or people you wouldn't ordinarily interact with.
I observe people around me, interact with them and try to understand what's on their minds. I also try and include their little quirky mannerisms in my films.
A lot of directors want to storyboard you, whereas the best way to get a performance out of an actor is a collaborative process where you listen to the actor's input.
Listen now. When people talk listen completely. Don't be thinking what you're going to say. Most people never listen. Nor do they observe.
But how shall I get ideas? ''Keep your wits open! Observe! Observe! Study! Study! But above all, Think! Think! And when a noble image is indelibly impressed upon the mind - Act!
I don't think there's one right way to do anything. There's no one best way to be a woman. There's no best way to be a mentor. I'm just trying to be me and be authentic and live my truth and be as inclusive and interested in other human beings as possible. I'm an actor by training, which means that I study human beings and human behavior. That's what I try to do and what I love to do.
Being around people like Aretha Franklin and Gladys Knight, Dionne Warwick and Roberta Flack, all these greats, I was taught to listen and observe.
If I'm around people I don't know well - if I'm at a bar or I'm hanging out with a group of people I don't know or whatever - I'm quiet. I don't say a lot. I listen. I watch. I observe.
There's a large chunk of me in all the parts. As an actor, I got involved largely because I want to let things out. The best acting is that that is most real and the only way to do that, is to genuinely feel it.
Observe the life like a wise tree by the side of a calm lake! Do not move; just sit and observe! Observe the Sun, observe the storms; observe the wisdom, observe the stupidities!
Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.
I don't understand why people don't use improvisation, especially in comedy films, but also, for me, you get more naturalism, and that's why I like the naturalistic performances and strange rhythms and the way that people genuinely interact captured rather than sort of very mannered performances.
If you want an audience that genuinely sticks around, you have to listen to what their opinion is.
If you intend to create something that people will observe and listen to, you've got to listen to them first.
People are reading more and writing more because of the internet. So the virtual world is a way for me to listen to my readers and interact with my readers. It is a way that they can voice their opinion.
When I told my parents that I wanted to be an actor, they were like, 'How can you be an actor? You have to go out and interact with people! You hardly talk to our relatives!'
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