A Quote by Rose McIver
I bring ideas to set, and I'm more than willing for those to be affected and be malleable based on what the other person gives me. I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
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I know that I don't have a perfect performance that I bring to set. I bring ideas to set, and I'm more than willing for those to be affected and be malleable, based on what the other person gives me.
I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
Interestingly, I'm more closed on set than I am off set. On set, I'm closed. I don't want input. I want to concentrate on what I'm doing with this other person. But outside of that, I'm open. I'm everybody's friend, unless they don't like me.
If you do not want what I want, please try not to tell me that my want is wrong. Or if my beliefs are different from yours, at least pause before you set out to correct them. Or if my emotion seems less or more intense than yours, given the same circumstances, try not to ask me to feel other than I do. Or if I act, or fail to act, in the manner of your design for action, please let me be. I do not, for the moment at least, ask you to understand me. That will come only when you are willing to give up trying to change me into a copy of you.
I must be willing to give whatever it takes to do good to others. This requires that I be willing to give until it hurts. Otherwise, there is no true love in me, and I bring injustice, not peace, to those around me.
Let me give you a word of advice. A loyalty that holds fast will become a blade, and will some day pierce those you hold dear. Open both eyes wide. That is, if you… don’t want to end up like me.
I'm just going to get out there and on court, give it my all and that's what I want to do every day. That's what I want to be known for, and that's what I want other players to know about me, that I'm never going to give up.
Nothing is worse for me, as an actor, than when I walk on a set and the director goes, "Okay, you're going to be standing here, the other person is going to be standing here, and you're going to move to there and then do the scene." That doesn't help actors.
You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
ather than Eisenstein's fast and hard cutting, I like to hold the shot very still and for longer than we're accustomed to. For me personally as a viewer, this technique invariably causes me to have waves of emotions that I think arise from a profound form of mindful awareness and the feelings that go along with that. I am frequently brought to tears by this kind of existential cinematic technique.
It's imperative that I have another channel to pour ideas into, that have been with me for quite a while, that it would be hard for people to kind of accept on first listen. Some of that would be more classically based stuff and some more jazz based.
Don't get me wrong - I love going to academy every day and training as hard as I can; I love to learn. But I have other plans. When you are in the UFC, you gotta save 80 percent of your time for that. I want to do other nice stuff, other things that give me pleasure also.
Human sexuality includes more than hormones, organs, and orgasms; it runs through the psychic and spiritual ranges of our lives. We experience our sexuality on the spiritual level as a yearning for another person. We want to reach out and stretch ourselves into the depths of another. We want to bring the other person into the orbit of our deepest selves. We want to probe into the mystery of the other.
I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.
what I must learn is to love with all of me, giving all of me, and yet remain whole in myself. Any other kind of love is too demanding of the other; it takes, rather than gives. To love so completely that you lose yourself in another person is not good. You are giving a weight, not the sense of lightness and light that loving someone should give.
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