Music is the only place that I can have no taboos. In real life I have a lot of taboos, and I can't talk about everything easily.
There have been only two taboos in the world: sex and death. It is very strange why sex and death have been the two taboos not to be talked about, to be avoided. They are deeply connected. Sex represents life because all life arises out of sex, and death represents the end. And both have been taboo - don't talk about sex and don't talk about death.
Trying to talk somebody out of the stuff that they enjoy in life is like trying to talk them out of their faith or their sexuality. It’s a pointless exercise that can never be anything but acrimonious and will only highlight unnecessary amounts of difference about things that ultimately don’t really matter. Buy the steak you like, worship the god you love, neck with the people that you treasure and don’t worry about the numbers.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
I never consciously set out to model myself after Upton Sinclair.
One of the best things about life—a reason not to go blindly after one goal and one goal only—is that sometimes it will take you to something that is way cooler than anything you would have consciously set out to do in the first place.
I never talk about anything Hollywood or about politics. I will talk about how concerned I am about funding for Planned Parenthood, and how very sad it makes me when I see anything about children being separated from their parents.
I never consciously set out to be an actor. I just kind of did whatever acting I could do.
I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
There is always something taboo, something repressed, unadmitted, or just glimpsed quickly out of the corner of one's eye because a direct look is too unsettling. Taboos lie within taboos, like the skin of an onion.
Remember, taboos are just a map of what a society feels it's acceptable to be neurotic about. Taboos aren't rational.
I've never really thought in terms of taboos. I think that books can really help parents and kids talk together about difficult subjects. I've always felt that way.
I've never set out consciously to write American music. I don't know what that would be unless the obvious Appalachian folk references.
Time to Talk is all about tackling taboos and getting the nation talking about mental health.
I never set out to make any statements about a specific character, I just set out to tell what feels like is a truthful story, a person that you and I might truly encounter.
Songwriting never feels like it's me doing anything consciously except for becoming aware somehow that it's time to let something out, or let something in, depending on how you look at it.