A Quote by Roseanne Barr
Nobody wanted the 'Roseanne' show. I heard from agents that there was no interest in a show about a fat woman and her family.
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Nobody wanted the "Roseanne" show. I heard from agents that there was no interest in a show about a fat woman and her family.
I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
I had heard some women make comments about my chest, so why not show it off? Nobody wants to see a fat guy in tights. That wouldn't be fair to the fans.
I just wanted to show the migrants as complex humans with flaws and weakness, with good and bad things, and show that they're parents and family men. I wanted to show them with everything, as they are.
Show me a woman who is prouder of her clean kitchen than of her collection of lingerie and I'll show you a woman with enlarged pores.
In my own one-woman show, 'Feeling Good,' I talk about my childhood and write a letter to my younger self in the show. The most important thing I would tell her is to trust my instincts. Just trust them. They're little whispers from God, I think. You've heard it a million times, but it's true: Listen to that inner voice.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
Stath Lets Flats' at its heart is a character comedy show about a family-run estate agents, but it's inspired by a real family!
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
When you watch CNN, you see the custom graphics - 'War in the Desert,' or 'Showdown: Iraq,' and it's being presented like a TV show, like 'The Cosby Show' or 'Roseanne.'
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
Even now, we're surprised by the reach of my mum, so you can imagine our surprise at the interest in my daughter. We got calls from Hollywood companies wanting to do a reality show with her and we thought, 'About what? We're not a Hollywood family.'
You show me a polluter, I'll show you a subsidy. I'll show you a fat cat using political clout to escape the discipline of the free market and force the public to pay his production costs.
"The Invisible Woman" was about trying to show this conflict in [Nelly Ternan] woman truthfully, between her own identity, but also being in love with someone who I think made very high demands from her.
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