A Quote by Rosecrans Baldwin

Nicholas Sarkozy made the point that both America and France have political systems that they want to share with the world. There's an emphasis on being a unique person. Screw you if you don't like it. But the problem is, they're all the same.
People are too pretentious in France to like Sarkozy. But he'd be a fabulous president for America.
If I become president, France will not continue with the same policies as under Nicolas Sarkozy - both in domestic policy and in foreign and European policy.
Whether you like it or not, France's history is unique in Europe. Not to put too fine a point on it, France is a country of regicidal monarchists. It is a paradox: The French want to elect a king, but they would like to be able to overthrow him whenever they want. The office of president is not a normal office - that is something one should understand when one occupies it. You have to be prepared to be disparaged, insulted and mocked - that is in the French nature.
There's this whole debate about whether being PC is just being like political or whether it's just being a good person, and I feel like that's something that people need to take into consideration because, you know, people are like, "Oh PC culture is ruining America." It's being a good person. If you're offended when people are not, you know, sexist or racist, then you're a part of the problem.
America being behind France in upward mobility is a little bit like France being behind America in Croissants and Afternoon Sex.
Mr. Harinton was real. There were adults in the world who would actually make sacrifices for others - not just for their own families but for anyone who needed help. Nicholas had always had the impression that families looked after one another, and he had come to understand that, on rare ocassions, children would do the same... But this was different. What Mr. Harinton was doing certainly helped Nicolas - but it also simply felt right to Nicholas. It made him want to be exactly like Mr. Harinton himself.
President Trump is not a representative of the political establishment class. And so for whatever reason, people have made a decision that they want to eject him. It's almost like he's opened up the door now for America's CEOs and America's billionaires to enter the Washington political system.
'Sticky' is about reaching a point in a relationship where you both realize you guys shouldn't be dating, but you're doing it anyway just because you like to have that sense of just being able to be honest with the person and comfortable with the person. You kind of ignore all of the signs and red flags because you really want to like the person.
I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.
I always had a lot of fun in America, with much more freedom than if I had tried to cook in France. I wouldn't have the same motivation or inspiration, and I wouldn't have cooked for the same kind of people in France, so it wouldn't have given me this edge I had in America.
The problem of unmet expectations in marriage is primarily a problem of stereotyping. Each and every human being on this planet is a unique person. Since marriage is inevitably a relationship between two unique people, no one marriage is going to be exactly like any other. Yet we tend to wed with explicit visions of what a “good” marriage ought to be like. Then we suffer enormously from trying to force the relationship to fit the stereotype and from the neurotic guilt and anger we experience when we fail to pull it off.
America, like Britain before her, is now the great defender of the Status Quo. She has committed herself against revolution and radical change in the underdeveloped world because independent governments would destroy the world economic and political system, which assures the United States its disproportionate share of economic and political power ... America's preeminent wealth depends upon keeping things in the underdeveloped world much as they are, allowing change and modernization to proceed only in a controlled, orderly, and nonthreatening way.
Around the world there are certain marital systems, certain physical systems, political systems, social systems, and all those things are kind of turned on their head but represented in various ways within "The Lobster."
I'm opposed to wearing headscarves in public places. That's not France. There's something I just don't understand: the people who come to France, why would they want to change France, to live in France the same way they lived back home?
It is my fundamental belief that all human beings share the same basic aspirations: that we all want hapiness and that we all share suffering. Asians, just like Americans, Europeans, and the rest of the world, share a desire to live life to its fullest, to better ourselves and the lives of our loved ones.
The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
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