A Quote by Rosecrans Baldwin

American-French relations, their pitch and volume, have always been influenced by the media. — © Rosecrans Baldwin
American-French relations, their pitch and volume, have always been influenced by the media.
I've been in America for almost ten years. I've had many parts of the American experience. I've been all over this country and seen many different parts of it. It's just that I'm not an American. I've never become an American. I'm talking about the whole thing-psychologically, citizenship, the whole trip. Of course I've definitely been influenced by America-I'm definitely influenced by the music and the culture.
When we strengthen our relations with the Gulf states, when we cooperate with the Arabs, everybody asks if we are looking for a new geopolitical place. But in the Middle East and the Gulf, you can find German, French and British goods everywhere. German relations to these states are very good, as are English and French relations. Does this make them Arab-oriented?
Franco-American relations have been, and always will be, both conflictual and excellent. The U.S. finds France unbearable with its pretensions; we find the U.S. unbearable with its hegenomism. But deep down, we remember that the 'boys' - came to help us two times, just as the Americans remember that the French helped them with their independence. So there will be sparks but no fire, because a real bond exists.
French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
The American revolution not only cost Britain the 13 colonies but also forced it to rethink the slave trade and slavery, and influenced its power relations in Asia and the Pacific.
French Yemeni relations are strong and good, they are relations depending on friendship and cooperation; my relationship with the president Chiraq are old and real.
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
On the pitch, I have always had that responsibility to lead the team. But, of course, when you are captain, players, especially the young ones, they look at you more for the things you do on and off the pitch. But I have always been a very calm person.
I'm certainly very influenced by what you would call 'contemporary headline horror,' stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news.
Blake has always been a favorite, the lyrics, not so much the prophetic books, but I suppose Yeats influenced me more as a young poet, and the American, Robert Frost.
That has always been my character - on the pitch I have a strong temperament, but off the pitch I'm more serene, reflective. I manage to separate out those two things.
My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality.
I'm certainly very influenced by what you would call "contemporary headline horror," stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news. And, you know, lastly, probably things that have happened to me in my own life.
This broken country extends back from the river for many miles and has been called always be Indian, French voyager and American trappers alike, the Bad Lands.
The pitch, timbre, volume, speed, and cadence of your voice, the speed with which you speak, and even the way you modulate pitch and loudness, are all hugely influential factors in how convincing you are and how people judge your state of mind and character.
In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'
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