A Quote by Rosemarie DeWitt
There are the jobs you get that do something for your confidence, like, 'I can do this with my life' kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor, where other people feel like they can hire you.
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There are the jobs you get that do something for your confidence, like "I can do this with my life" kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor where other people feel like they can hire you.
There are certain jobs I don't take because I feel no connection to the person. But if somebody is open with me, and honest about their motivations, and has some level of self-awareness, then I'm going to understand them.
I do believe that people hire immigrants, legal and illegal immigrants, to do certain jobs that maybe possibly could go to American citizens, and that's unfortunate. If they're here legally, I think it's OK. If they're here illegally, then they ought not be taking jobs from American citizens.
I hire people who can do their jobs and who will advise me of things they don't agree with. The worst thing you can do is get in a room with 14 people who say, "OK!" Then you really are making decisions about engineering and finance and other areas.
Certain jobs [films] are for the business really, because they get an audience, they get a global audience. Certain jobs are as an artist. If I can keep moving forward and strike some form of balance between them two, then I'm going to feel content.
I tell young people: If you make a job choice on the basis of something other than your nose or your gut, it's unlikely to work out.... It's perilous to look ahead and be like, "I'd like to be ambassador." I would never have gone to Bosnia or spent years writing about genocide. Do it on the basis of what you can learn.... It's like falling in love. Your whole dating life, you're thinking, On the one hand, on the other hand. Then you meet the right guy, and you're not in list-making mode; you're just with the person you're supposed to be with. Jobs are like that too.
That's what the Romney plan is all about, how to get jobs created, how to get this debt and deficit under control, how to revive small businesses so we can create jobs, and how to bring growth and opportunity to society instead of this class warfare, instead of speaking to people like they're stuck in some class or station in life.
Sometimes I feel like there isn't enough Prozac in the world to make Environmental Protection Agency people feel better about their jobs. They're going out there, they're trying to protect Americans and then time and time and time again they get their knees cut off at the policy level.
I'm for making sure Americans get jobs before other people do, and I'm not going to let jobs get outsourced overseas, like Romney let happen.
If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.
Green jobs - those are jobs that feel like new economy jobs; they do require some training.
I know most people don't like their jobs very much and don't get a lot of personal satisfaction from their jobs. That's something that I really do get a lot of.
The truly great actors, like Charlize Theron, are just like, "I'm an actor. For hire. I show up, I do my job." There's no "I'm just waiting for the inspiration." They just do their jobs. They say, "Let's go over the scene a few times and get it."
People can get a bit like, "Oh my God, your life is different than mine." But no, it's not. Everyone's got the same problems. We all get jobs, and we lose them. We have a good time, and we don't have a good time. It's changed in that some people have a certain expectation of what they might find when they meet me, which sucks, because I'm not that thing.
I feel like I've found my voice in the actor's business. Because when you first get out of school and you're looking for jobs, you don't want to rock the boat - you can't rock the boat. You'll get known for being that sassy girl that, like, has no résumé and no one wants to work with her. But now, I'm "proven," at least in the television world, and hopefully in the theater world. I'm working on the film world. Unfortunately, it takes a while to build that kind of street cred. It's been recently that I even started to have more confidence in myself.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
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