A Quote by Rosemarie DeWitt

Usually when you do a pilot, there's a moment where all of the executives get together and say thumbs up or down. — © Rosemarie DeWitt
Usually when you do a pilot, there's a moment where all of the executives get together and say thumbs up or down.
Thumbs up or thumbs down on a website is not a conversation. The danger is you get into a habit of mind where politics means giving a thumbs up or thumbs down to a website. The world is a much more complex place.
I don't know that anybody has walked up to me in the street or in a store or in the grocery and said to me, 'I hope you bomb Assad.' Certainly plenty have said, 'No; thumbs down, thumbs down, thumbs down.'
The moment when you find out when you shoot the pilot - getting the pilot is a small victory. You shoot the pilot, and when you get picked up, that's a huge victory right there.
My main qualm about TV criticism has been when people review TV the way they review movies. They watch the pilot, and write a definitive review of the show. The obvious analogy is that you don't read the first eight pages of a book and then talk about whether the book works or not. People want so desperately in this day and age to declare something thumbs-up or thumbs-down that they declare it immediately.
I want to be a part of something, and when we define movies now based on how they do on the weekend. We live in a society of "thumbs up, thumbs down."
If you've got a shot at having some 30 million people give you thumbs up or thumbs down every week, you take it.
As a critic, I try very hard to say exactly what I think. And in a medium in which we are well-known for the binary thumbs up and thumbs down, I try to be able to give the mixed review. But most pictures fall into that middle ground, so I wrestle over which way my thumb is going to turn. It's not flip.
There's so many gatekeepers to getting in front of showrunners or executives. If we pull those middlemen out, and we get women in rooms with the executives, the people hiring, it seems to break down barriers. Because they can no longer say, 'There just aren't any women to hire,' when you're surrounded by fifty of them.
Our DNA is as a consumer company - for that individual customer who's voting thumbs up or thumbs down. That's who we think about. And we think that our job is to take responsibility for the complete user experience. And if it's not up to par, it's our fault, plain and simply.
Listen, you make a big movie, you're going into the Coliseum, and people are going to give you the thumbs up or the thumbs down. And that's part of the game. It's part of the fun as well.
Everybody is so hungry for referrals, for 'likes.' I don't need to be liked. I don't need to be liked at all. I don't care if there's a button right there at the top of Drudge saying 'like' or 'dislike,' 'thumbs up,' 'thumbs down,' it doesn't mean anything.
Every time a film comes together, usually the studio executives come up for a day to the set. If you're out of town, they'll fly in or wherever you are - the cast, the director, the producers - all get together and have a big dinner and celebrate the fact that we're about to start shooting.
I like debate and argument, so I'm usually all right with disagreement, and I'm even all right if the critic doesn't come to a clear thumbs up or thumbs down. But I need the disagreement to have some kind of line I can follow on the map. I like following an interesting mind along it.
This breath, and this moment, and this life is a gift and we are all in this together. We all have countless choices every day to close down or stand up straight and open up, and take a big breath and say YES to the gift.
There's a trend in Hollywood at the moment where studio executives are coming from more of a marketing background, and that is challenging. I think one of the problems of marketing executives is that they don't understand how films get made and they're a bit nervous. And that is not the most efficient way to be a studio executive.
Kids don't say, "Wait." They say, "Wait up, hey wait up!" Because when you're little, your life is up. The future is up. Everything you want is up. "Hold up. Shut up! Mum, I'll clean up. Let me stay up!" Parents, of course, are just the opposite. Everything is down. "Just calm down. Slow down. Come down here! Sit down. Put... that... down."
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