A Quote by Rosemary Harris

But to me, Broadway has always had more a 'village' feeling than London's West End. The theaters here are clustered together, the staff and many people in the business know each other - it's like a little village all to itself, whereas in London everything is more spread out.
I used to live in a village, and I always loved listening to old people. Unfortunately, it was always women who were talking, because after the war, very few men were around. I spent my entire life living in the village. The village is always talking about itself; people are talking to each other as the village makes sense of itself.
I was every Londoner's stereotypical idea of a brash, vulgar American. When I got here, it turned out that London was the Wild West, and New York was like London at the height of the Victorian era, in which everyone was far more obsessed with table manners and status-climbing than they are in London. In London, everyone was just crawling over this blizzard of cocaine. Here, if you have more than a glass of wine with your meal, people refer you to Alcoholics Anonymous.
I reached the point where I was getting arrested all the time in London. I couldn't walk down the street. London becomes a very small village, eventually. You run out of places. It was inescapable.
To me, the difference between New York and London is that things are boring and staid in London. But even the sh-tty diner and bars here are kind of exciting for me. Downtown is funky, West Village is beautiful with the cobbled streets, but I love going uptown because you then you go, "F-ck, I'm in New York!" You see all the skyscrapers.
Where I live is about an hour and a half West of London. I live in the countryside... It's a classic little village, and it's idyllic in a lot of ways.
We shall defend every village, every town and every city. The vast mass of London itself, fought street by street, could easily devour an entire hostile army; and we would rather see London laid in ruins and ashes than that it should be tamely and abjectly enslaved.
Broadway has a lot more razzle-dazzle than the West End. In terms of the everyday work routine, it's not different, but there's a cachet about Broadway that lends itself to more anticipation among audiences.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.
When I started Virgin from a basement in west London, there was no great plan or strategy. I didn't set out to build a business empire... For me, building a business is all about doing something to be proud of, bringing talented people together and creating something that's going to make a real difference to other people's lives.
When I started Virgin from a basement in west London, there was no great plan or strategy. I didn't set out to build a business empire ... For me, building a business is all about doing something to be proud of, bringing talented people together and creating something that's going to make a real difference to other people's lives.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
I was born in Paris, and it's a beautiful place, but London feels like home. I like the village feeling, I like running in the parks - even the food isn't as bad as it used to be.
Occasionally they came to villages, and at each village they encountered a roadblock of fallen trees. Having had centuries of experience with the smallpox virus, the village elders had instituted their own methods for controlling the virus, according to their received wisdom, which was to cut their villages off from the world, to protect their people from a raging plague. It was reverse quarantine, an ancient practice in Africa, where a village bars itself from strangers during a time of disease, and drives away outsiders who appear. (94)
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
This site uses cookies to ensure you get the best experience. More info...
Got it!