A Quote by Rosie O'Donnell
When I started out, some women comics were jealous of other women comics, thinking, "If she gets "The Tonight Show," I can't." My philosophy always was, "If she did, I can too."
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I object to the hypersexualization of all the superheroines. Most of them have been hypersexualized, but especially to Wonder Woman, because she is an icon. She is up there with Superman and Batman. And she is the one who is the big influence on women. Women who don't read comics still know who Wonder Woman is.
When I first started writing comics, in the way-back days, Typhoid Mary was my explosive response to women characters in comics - I made her an innocent virginal type, a clever, dark, liberated woman, and as Bloody Mary, a feminist bent of punishing men - all in one character. She was an instinctual rather than a calculated creation.
There were very few women comics when I started out doing stand-up. But I always saw that as a great advantage.
When I first started out in comics they would put me on these Women of Marvel panels, and these young women would come up to me and say, "I really want to write comics but I don't know if I can because I'm told that it's just for guys." I would say, "That's bullshit. That's absolute bullshit. Look at me!" But the one area where we still need to work on is that we need more women of color. That's not common thing yet.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
I never hated Ronda. She's always talked about me; she did that to promote herself because when she started, nobody knew her, and she talked about me for people to know who she is. And she opened the doors for women's MMA.
She comes to me when she wants to be fed. And after I feed her -- guess what -- she's off to wherever she wants to be in the house, until the next time she gets hungry. She's smart enough to know she can't feed herself. She's actually a very smart cat. She gets loved. She gets adoration. She gets petted. She gets fed. And she doesn't have to do anything for it, which is why I say this cat's taught me more about women, than anything my whole life.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
We're here in this women's revolution - we're in this women's empowerment movement worldwide - and, if anything, women should stick up for each other and be like, 'No, she deserves everything she has, and she's worked hard as a woman.'
To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.
Red Sonja, she was a hellraiser before Buffy, Xena, and Ripley even existed. When so many heroines in comics were all hung up on romance and the bizarre gender politics of comics at the time, Sonja was out cutting off the heads of dragons and pirates.
I see so many women thinking other women are their enemies - especially when they don't have a job or a guy or whatever. It's like, 'I don't have what I want, and she does, so she must be my enemy.' I find it confusing and not fair and sad.
She'd always had such contempt for mundanes, the way all Shadowhunters did--she'd believed that they were soft, stupid, sheeplike in their complacency. Now she wondered if all that hatred didn't just stem from the fact that she was jealous. It must be nice not worrying that every time one of your family members walked out the door, they'd never come back.
When I started watching comedy there was a lot of negativity about women; a lot of comics were spewing out aggressive, violent and negative material.
Honestly, before I started working at the comic shop, I was not a huge comic reader. I grew up reading 'Archie' and have an incredible love/hate relationship with Archie Comics. I got back into it when I started living with some roommates who were really comics fanatics.
The doctor's wife wasn't a bad woman. She was sufficiently convinced of her own importance to believe that God actually did watch everything she did and listen to everything she said, and she was too taken up with rooting out the pride she was prone to feeling in her own holiness to notice any other failings she might have had. She was a do-gooder, which means that all the ill she did, she did without realizing it.
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