A Quote by Rosie O'Donnell

I remember thinking, 'I don't know if I can do radio.' I never even listen to it. — © Rosie O'Donnell
I remember thinking, 'I don't know if I can do radio.' I never even listen to it.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
I listen to music very intensely as well: When I listen to an artist I really love, I feel like I know them. I feel like I understand what they're thinking about, even though I've never met them or talked to them.
People ask me what's like to hear our song on the radio. I don't know, I don't listen to the radio
My day starts with Radio 4's Today live or 'listen again' wherever I am in the world, thanks to digital radio - I even have an app on my iPhone that receives it.
Clive Davis told me that "Since U Been Gone" would be on the radio in April. It came out in October. I remember counting the months. I remember thinking he was crazy, that he was out of his mind. But he was right. Never doubt Clive Davis.
As a kid I loved to listen to the radio, later I became a radio artiste and would listen to the BBC.
I remember thinking how often we look, but never see ... we listen, but never hear ... we exist, but never feel. We take our relationships for granted. A house is only a place. It has no life of its own. It needs human voices, activity and laughter to come alive.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
That's why I don't listen to other people on the radio, never have, 'cause I don't want to inadvertently, even unaware, end up repeating something somebody else has already said.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
When I was at Capitol - and this was not Capitol's fault - I was aiming, you know. I would listen to country radio and go, 'What version of me does radio want?'
I wouldn't even think of playing music if I was born in these times. I wouldn't even listen to the radio.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I've always believed in myself and I've surrounded myself with positive-thinking people. That's why a lot of times I don't watch the sports shows or listen to the radio because of that simple fact, that there's too many critics out there and if you listen to everybody's opinion, I think it works against you.
When Jazz broke through in England, I remember sneaking to listen on the radio much to my parent's disapproval.
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