A Quote by Ross Douthat

Every young writer, I imagine, has their first intellectual magazine, whose essays and articles are devoured all the more greedily for being slightly over one's head. Mine was First Things.
Standing as a witness in all things means being kind in all things, being the first to say hello, being the first to smile, being the first to make the stranger feel a part of things, being helpful, thinking of others' feelings, being inclusive.
The first voice they hear is mine, the first touch they feel is mine, the first human face they see is mine. They just think I'm a strange tiger who walks on two legs.
I started writing poems, and when I first tried prose, I wrote bad articles and essays and columns, and I didn't have a handle on it. I didn't go to a school that really taught you how to write that stuff.
I used to think of the cartoons as a magazine within a magazine. First you go through and read all the cartoons, and then you go back and read the articles.
The new novel is sought more eagerly, and devoured more greedily, the New Testament.
I have written some poetry and two prose books about baseball, but if I had been a rich man, I probably would not have written many of the magazine essays that I have had to do. But, needing to write magazine essays to support myself, I looked to things that I cared about and wanted to write about, and certainly baseball was one of them.
That's really the essence of what any fiction writer does. Some of it is research-based, but most of it is a really long-term, imaginative, empathetic effort to see the world the way someone whose experiences remote from yours might see it. Not every writer works that way; some writers make a wonderful career out of writing books that adhere very closely to how they view the world. The further I go with this, the more interested I get in trying to imagine my way into other perspectives that at first seem foreign to me.
The formation of character in young people is educationally a different task from, and a prior task to, the discussion of the great, difficult, ethical controversies of the day. First things first. And planting the ideas of virtue, of good traits in the young, comes first. In the moral life, as in life itself, we take one step at a time. Every field has its complexities and controversies. And so does ethics. And every field has its basics. So too with values.
A proper education enables young people to put their lives in order, which means knowing what things are more important than other things; it means putting first things first.
Seek first the kingdom of wealth and you'll worry over every dollar. Seek first the kingdom of health and you'll sweat every blemish and bump. Seek first the kingdom of popularity, and you'll relive every conflict. Seek first the kingdom of safety, and you'll jump at every crack of the twig. But seek first His kingdom and you will find it. On that, we can depend and never worry.
Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there's a big difference between being a writer and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. You've got to want to write, I say to them, not want to be a writer. The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
Every young man's best purchase is his first car, which spells freedom. My first one was a '70 Camaro, springtime gold-over-saddle, a 307 with Hi-jackers and chrome reverse mags.
Polishing: a useful lesson for the hopeful writer. You say your tormented prose doesn't read as well as mine? Neither does mine, at first!
One of the first cassette tapes I ever purchased was the Rambo III score. I was not allowed to see Rambo, but my mom would allow me to buy the music, so I would listen to that score over and over and imagine the movie. But those limitations and not being able to access those things made me so much more excited about them.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
It would be peculiarly improper to omit in this first official act my fervent supplications to that Almighty Being Who rules over the universe, Who presides in the councils of nations, and Whose providential aids can supply every human defect.
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