A Quote by Ross Duffer
It was seventh grade or something like that when we started falling in love with stuff like Sam Raimi and Wes Craven and John Carpenter. Also, our filmmaking skills were getting a little more polished, so we thought we could actually make something that was not funny.
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You find a movie you love and you figure out who directed it, then you go to the video store and go through all the John Carpenter stuff and all the Sam Raimi stuff.
Clearly, the works of John Carpenter and Sam Raimi are front and center here. Argento is definitely there. But even stuff like the 'Friday the 13th' movies had quite an influence on me growing up.
A lot of my friends are people who do horror films: Wes Craven, John Carpenter, Stephen King.
It's a little crazy. Last year, I was in seventh grade, and we were the babies at the school - 'cause my middle school's eighth grade and seventh grade - and now I'm eighth grade, and all these new students have come in, and they're all like, 'Oh my gosh! Darci Lynne!'
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
My dad coached pretty much my whole life. I think he stopped coaching me when I got to the seventh, eighth grade, serious AAU, when I started getting recruited and stuff like that.
Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
I fell into makeup by accident, but I found my love for it, and once I realized that I could actually turn it into a huge business, that's when I started taking it a little bit more seriously, but it's always something that I knew could be something.
As a kid, my idols were Sam Raimi and Peter Jackson, and I get into crazy races with myself. Raimi was 21 when he made movies, and when I didn't get 'Cabin Fever' made that fast I thought I'd failed.
Sam was starting to feel anxious. Nutella and noodles were fine. Great in fact. Miraculous. But he'd been hoping for more food more water more medicine something. It was absurdly like Christmas morning when he was little: hoping for something he couldn't even put a name to. A game changer. Something...amazing.
Any skills that I have, I couldn't really make money with them. I would like to think that maybe I would be doing something in psychology or something of that nature because I love that vein of medicine - the getting down and getting nitty - gritty.
Any skills that I have, I couldn't really make money with them. I would like to think that maybe I would be doing something in psychology or something of that nature because I love that vein of medicine - the getting down and getting nitty-gritty.
I didn't do any football stuff when I was a kid... Mostly baseball and basketball the whole time. That's all I did. I played football starting in seventh grade. As I got older, I started playing a little bit more. Then in high school, I really fell in love with it.
I like filmmakers where, if their film comes on and you step in halfway through it, you can recognize that, hey, this is a Coen Brothers film. Or, hey, this is a Stanley Kubrick movie. You can recognize some filmmakers. Like, if you put on a Sam Raimi movie, you can tell that it's a Sam Raimi movie pretty quickly. I like a signature style that people can recognize and relate to, and connect with. I think that is part of why we seek out certain directors. We want to see how they view the world.
When I was in seventh grade, I totally had a crush on a guy who was older than me, and he listened to alternative music. So he was into Days of the New and stuff like that, and more poppy stuff, too, like Matchbox Twenty.
The original outline for 'Mississippi Grind' was actually an attempt to go funny. But when we showed it to people we realized that maybe it wasn't as funny to other people as it was to us - we have a pretty specific sense of what's funny - and then we thought, O.K., we need to do this more like we would actually make one of our movies.
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