A Quote by Ross Duffer

We have our Upside Down document which describes its rules and its mythology in quite a bit of detail, but I think we're just going to slowly parse that out, and maybe not even fully use all of it.
At which time the repulsor puts out its final effort and slows you down so you crash quite slowly into the surface." "Crash." "Quite slowly." Face & Luke
I just always believed we would succeed. Even when everyone else said my ideas were ridiculous. Even when we were almost out of money. Even when the metrics were all upside down. I always have confidence that I'll figure something out. I just have that confidence that things are going to work out fine.
Each time I see the Upside-Down Man Standing in the water, I look at him and start to laugh, Although I shouldn't oughtter. For maybe in another world Another time Another town, Maybe HE is right side up And I am upside down
Everything here at St. Aggie's is upside down and inside out. It's our job not to get moon blinked and to stand right side up in an upside down world. If we don't do that we'll never be able to escape. We'll never be able to think. And thinking is the only way we'll be able to plan an escape." -Gylfie
While no inference is intended here, it is worth noting, in connection with Milton Friedman's comment that "Kelso just turned Marx upside down," that it is not necessarily amiss to turn a fellow upside down if that in fact straightens out his thinking.
When we walk slowly, the world can fully appear. Not only are the creatures not frightened away by our haste or aggression, but the fine detail of fern and flower, or devastation and disruption, becomes visible. Many of us hurry along because we do not want to see what is really going on in and around us. We are afraid to let our senses touch the body of suffering or the body of beauty
When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.
I loved Disney. 'Fantasia' was my first, favorite Disney movie. And it just kept going. I loved 'Bambi.' I loved 'Cinderella,' 'Lady and the Tramp' and 'Snow White' and even 'Mary Poppins' which wasn't even fully animated - it was just a little bit animated. They were such a part of my growing up years; I was just very connected to them.
I just like talking, and I'm really truthful. Sometimes things come out of my mouth, and I think, 'Maybe I shouldn't have said that,' but at the end of the day, I am who I am! When I'm not acting, I'm going to be fully Hayley Hasselhoff, and that's what you're going to get. And I enjoy that.
Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.
If you go into a negotiating room and are like, 'Well I was on the same card as Conor McGregor, so maybe I should get a little bit more money,' they'll probably just look at you like, 'What? In what universe does that even make sense?' So I don't see how anyone could possibly think it's going to be a trickle-down effect.
I don't even think I was quite a year old. My mother was maybe seven months pregnant with my little brother. I was sucked out of her arms, and she landed 75 yards away from our trailer and had a ruptured disc. The tornado set me down on top of this pile of corrugated lumber and scrap metal.
It's a very, very exciting time, but you can't help thinking or not quite knowing how it's seen from the outside. You're constantly in a state of terror or regret, not quite knowing how things are going to pan out, or whether you've made the right decisions. But, maybe that's just what it's like. Maybe that's just the life of it.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
You can actually suffer a little bit more going slowly than when you're going really fast. A faster marathon might even be easier than a slow one, in terms of what it takes out of you mentally.
To be able to create fully, it's maybe fine that you learn the rules, but you have to forget and to rebel against those rules.
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