A Quote by Ross Duffer

Sometimes you see a monster sitting down in a chair and it looks ridiculous. — © Ross Duffer
Sometimes you see a monster sitting down in a chair and it looks ridiculous.
Every episode [in a TV series] is a challenge, and what's challenging in most episodes is the monster. You're always a heartbeat from the monster looking ridiculous. You really have to work so hard to make them not look like ridiculous when they turn up on the set.
To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
Use crazy glue and nails to turn a rocking chair into just a chair that looks like a rocking chair.
He whipped the chair around and actually split one of the things in half with the impact, spilling the spray of blood that was reflective, like mercury. John bellowed, "Anyone else want to donate blood to chair-ity?" He ducked into the the door and bashed one monster right in the wig, screaming, "There's some dessert! With a chair-y on top!
I'm onstage for an hour.I do an hour of stand-up. Actually, I do 10 minutes standing up and 50 minutes sitting in a chair. Oh, occasionally, I stand up again to do a dance or put over a song. But mostly I sit down. A great invention, sitting down.
I make 99 percent of my music sitting down, in boxers, when I'm comfortable in my computer chair.
Some people never get their feet on the ground, They're either sitting in a chair or theyre laying down.
I can't possibly be objective about myself. I can look at my other colleagues work, and they are all tremendous, really. To see their faces, to see their expressions, to see how they were sitting in their chair uncomfortably, and start crying even, is a great testament to what film can achieve.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
Little round planet in a big universe, sometimes it looks blessed, sometimes it looks cursed. Depends what you look at obviously, but even more it depends on the way that you see.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
Sometimes, when you go to airport and look at the people, you see the worst looks - but the worst looks can give you more ideas than the best looks.
So it's Rosemary Clooney - Rosemary? Rosemary Clooney, right? The singer? Yes. Clooney, doing, singing, "I've Grown Accustomed To Your Face," which is, you know, really a love song, but what we see on stage is we see one puppet that's got a ridiculous blonde wig on and she looks ridiculous, and next to her is a head that's just a piece of fabric with a pretty face on it.
The main thing about writing is... writing. Sitting your butt down in the chair and doing the work.
This past Thanksgiving, my father was at the farm, and I had all 11 dogs in the house with a father who never allowed dogs in the house. And he got up to leave the table and came back and Solomon was in his chair. And he says, "This dog is in my chair." And I said, "It's the other way around, you're sitting in his chair."
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