A Quote by Ross Perot

The one thing I know through experience ... is that people don't know why they come to work until they don't have to come to work. — © Ross Perot
The one thing I know through experience ... is that people don't know why they come to work until they don't have to come to work.
I don't know any more about the future than you do. I hope that it will be full of work, because I have come to know by experience that work is the nearest thing to happiness that I can find. . . I want a busy life, a just mind and a timely death.
They say that art should stand the test of time. Life lasts a limited amount of time. Mountains and trees and earth will outlive human beings, but we don't know if they will be here always. Art does outlast the life span of its maker. Art should communicate to an increasing circle of strangers-people who do not know the artist, but come to know the work, and through the work, come to know something about the humanity of the artist that rings with their own humanity.
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and is it is cool and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit again.
There was the period where I wanted to be a therapist, if the acting thing didn't work. That was pretty much it. I don't know why. I was just always the girl that people would come and talk to about their problems.
Songs come when they wanna come and I'll work at it when I feel like working at it. There are some songwriters that write every day, and I'm definitely not one of those guys. I don't know if that's a good thing or a bad thing. It's just kind of what I do.
What nobody tells people who are beginners… is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not… your taste is why your work disappoints you… We know our work doesn’t have this special thing that we want it to have. We all go through this… It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
I feel like so much of why I sort of want to work in television is so that people know to come see me live.
When I'm writing, I won't know whodunnit until maybe two thirds of the way through. Until then, I know as little as my detective. I just make it up as I go along. It's nerve-wracking, actually. You'll be half through and not know your conclusion. You worry one of these days the ending won't come. I'll be left with only two-thirds of a novel.
I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don't know where you get the impetus and response to what's before your eyes.
I know competition is there, and it can come my way by new, fresh faces that are around or are coming up. It pushes me to work hard. I know if I don't work hard, I will be left behind. So, I continue to work hard.
You have to look at why people come and work at Nest. Part of it is that a lot of people here already know each other, but we're also on a mission with a purpose. People are personally motivated by energy or safety.
I've figured out what to do so far, but it's always the next thing you come to where the man with the bucket of ice cold water is waiting - whoosh! in your face. That's why you work with directors who know what to tell you to do.
Through these offices it was my privilege to get to know almost every Jewish person, and those whom I did not come to know through these offices I came to know through love and a desire to know my brethren, the members of my people.
We continue to see more and more of that - games we didn't necessarily know would work in VR until a developer goes in and discovers the game mechanic that makes it come together. Sure enough, hockey can be a great VR experience.
If there's one thing I know, it's to work hard, continue to work hard, and the rest will come.
This site uses cookies to ensure you get the best experience. More info...
Got it!