A Quote by Rostam Batmanglij

Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people. — © Rostam Batmanglij
Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people.
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
I have always felt the word 'advertising' is either a diminutive or derogatory term that kind of goes with stuff people don't like, and I always felt frustrated because I felt like I was a communication artist or a media artist. The best advertising is one of the art forms of our culture.
I never felt like a boy or a girl, never felt I should wear this or dress like that. I think that's where that confidence comes from because I never felt I had to play a part in my life. I just always come as Shamir.
In high school I was the dog, always, and I never have felt comfortable or right in my body, and part of my whole exhibitionist thing has probably been a way of testing to see whether or not I really was this repulsive creature that I felt like for so long.
I can't speak for other people, but for me, I feel like gone are the days that you need to come out of a closet. I never felt like I was in a closet. I never did. I always felt comfortable with who I am and the decisions I made.
I've never really felt like a journalist. I've felt like a writer and a diarist. I have made myself vulnerable in my writing, and I think that vulnerability makes people strong. My favorite performances or works of art are always people showing that side of themselves.
I never felt like I had a surface image to rely on that people would like - I always felt like my music would not be very fancy music, my voice is not very fancy, there is nothing hiding me from the audience.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.
I connect fashion to other peoples' elegance, but not my own. I don't think I've ever felt elegant. I've felt appropriate, but never elegant, and I wonder what that must be like. I like it when other people are elegant - I prefer it - but I can't do it myself. I honestly think it's some form of autistic disorder.
Nas always been my favorite rapper, but 50 Cent, he changed my way of thinking about music 'cause he was so detailed in his music, I knew that wasn't lying. I never felt Tupac that way; I never felt Biggie that way. I love Nas music, but I never felt and believed like, 'This is for real.' 'Cause I grew up that gangsta lifestyle.
Colombians, when they love an artist, they love him whether you're up or down. So why wouldn't I stay in a place where they loved me when I was in my worse moment, and they were saying I was a legend? I felt I was good, so I felt it was my home. I fell in love with the people, the culture. They made me feel like a Colombian.
He was no longer quite sure whether anything he had ever thought or felt was truly his own property, or whether his thoughts were merely a common part of the world’s store of ideas which had always existed ready-made and which people only borrowed, like books from a library.
When I first got into string-band music I felt like such an interloper. It was like I was sneaking into this music that wasn't my own... I constantly felt the awkwardness of being the raisin in the oatmeal.
On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
This site uses cookies to ensure you get the best experience. More info...
Got it!