A Quote by Rostam Batmanglij
Even though I've been making electronic music since I was 14, it's hard for people to see you as a producer with a musical identity when you're contextualized in a band that performs on a stage.
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In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.
I've been making music since I was damn near born. For me to be a producer and be on my sixteenth year making music is a blessing.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
I've been making electronic music since I was 12. I was making music as soon as I knew how to make sounds on a piano. My parents had a baby grand, and the piano is still my favorite instrument. I look at it as a songwriting machine.
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.
I've been making music since I was 14, but for a while, I was afraid to perform.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
Ive been making music since I was 14, but for a while, I was afraid to perform.
I’ve been making electronic music for twenty some odd years but, because I grew up playing in punk rock bands, when I started touring, I thought in order to be a viable touring musician I had to do it with a band. I would DJ or tour with a full rock band.
I had been building electronic musical instruments since I was a kid.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
The less people that are on the stage, there's more drama. You start living the music with each individual. When you see a band with ten people on stage, just a huge ensemble, you don't know who's doing what.
When you put everything you have into making music, both on and off the stage, it can be very frustrating when the music you work so hard to create is not allowed to see the light of day.
A Hawk and a Hacksaw may be from America, but the band's music sure isn't: Since the beginning, Eastern Europe has been an unwavering source of musical inspiration, not to mention fertile touring ground, for the group.
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