A Quote by Rostam Batmanglij

My music is about identity. — © Rostam Batmanglij
My music is about identity.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
When you've been raised in care, rap music isn't just about guns and sexism. They're talking about real things you can hang on to, problems of identity that you have sympathy with. It's not just about the music, with rap: when I was in care, it meant a whole lot more than that.
I think I started writing about identity, and I used to believe that identity is the story. But now I'm not so much subscribed to that. I mean, with 'Mr. Fox,' it has a feminist agenda as well. And so, as I sort of been away from writing about identity, I still feel that kind of tug of roots and, you know, cultural background.
I don't feel like my films are about gender; they are about identity - but a different slant on identity.
I kind of have found my identity through the music, through the roots music of North Carolina, and kind of realized that that's my identity as a North Carolinian.
I've never thought of myself in terms of an identity. I'm always baffled when I encounter someone who gives the impression about being confident about a particular defined identity.
When I started doing press after college, I never got asked about my racial identity; I was asked more about being a girl in music.
There's this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music: "It's not where you got it from, it's where you take it." To me, that's just an integral part of why I even bother making music. I don't mind that I've created an identity around what I do.
I always think about race as a part of one's identity, not the whole of one's identity. You don't want it to be the defining characteristic of a character. There has to be more.
The longer they talk about identity politics, I got 'em. I want them to talk about racism every day. If the Left is focused on race and identity, and we go with economic nationalism, we can crush the Democrats.
I don't like the idea that in music, clothes, taste or anything, we are limited to a certain style, because we need to maintain an identity, maybe between some subculture group. Hopefully, all those walls break down, and music is just music.
You have to be your own person. You can't let people's opinions determine how you think about yourself. There's a difference between identity and self-identity.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
I was just very into things that were the opposite of what other people liked. I didn't want to listen to music that I could find at a friend's house. My identity was really forged around that, and you know, eventually that kind of identity gets dismantled and fed to the vultures. But I was somehow on my own mission.
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