A Quote by Rostam Batmanglij

I think that for a lot of us gay people, we do feel that pop is our music. We identify with it and its iconography, and that's been a tradition. — © Rostam Batmanglij
I think that for a lot of us gay people, we do feel that pop is our music. We identify with it and its iconography, and that's been a tradition.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
As a songwriter, pop music really is a love and a joy and a science, and I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
I feel dance and pop music genres are extremely female and extremely gay. When it comes to art and pop culture, queers are f - king weirdos. We don't have gender rules that tell us what we can and can't be. We just make it up as we go along. We have full creative license to be whatever we want to be.
There is a lot of pressure on pop stars, and I think a lot of it is the pressure that we put on ourselves. In our minds, we build up these huge, huge standards that we think people want from us, and actually, when you break it down, people just want you to make music and perform to the best of your ability, but anxiety can stop you from doing that.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.
I don't know if I was as ambitious as to change the world, but I do feel like - the reason why I called the album "Our Version of Events" was that I feel a lot of people are not represented in pop music and popular culture.
Live we're a lot louder and noisier on the album. I think for the album we took a lot of time for the songwriting and we wanted to make good pop music, and I think there's plus and minuses to doing pop music and noise.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
We've had a culture war roaring away, and the kinds of people who want to abuse and discriminate against gay people who are adults can't really lay their hands on us unless they want to be gay-bashers and go to jail. They abuse us from afar and in the abstract, they abuse us with checkbooks and ballots, but their kids go to school on Monday morning. And there's a gay kid. And they feel they have license to beat that gay kid up in a way that I don't think they did when I was in school. I think it's gotten worse.
I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.
I make pop music. I make music that is pretty commercial. But, at the same time, I'm a minority within a minority and it can be challenging. I feel validated about what I'm doing when I meet fellow black gay men or black gay women.
I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.
I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.
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