A Quote by Rostam Batmanglij

I'm as guilty as anyone else of listening to music track by track. — © Rostam Batmanglij
I'm as guilty as anyone else of listening to music track by track.
I'm not keeping track, but I've got six goals and seven assists! Of course you keep track of it. If anyone says they don't, they're lying!
I love short track. I competed in short track, I was a world champion in 1986 but at that point in time it wasn't in the Olympic Games so I moved into long track. Short track is a blast to skate and it's a blast to watch.
Growing up in the sport, I've been able to separate what happens on the track with what happens away from the track. That track is totally different. I'm not the same person when I put that helmet one.
When you're editing the film, you use a temp track. So you're putting music in there for a rough cut to keep track of what's going on. It can be a hindrance if wrong, it can be an enormous asset if you get it right.
In track years... track is not like other sports. You do have track athletes that stay in this sport until, like, 35, 36, but I think when you get to 28, it's really difficult.
I know that when it comes to your friends, especially in the music industry, we work so much and do so much that we don't even really keep track of our days, or keep track of our health, or keep track of our mental health. Sometimes we just go astray.
If you tell people they can't burn CDs of their music, as almost every current legal music service has done, or they can only burn one CD with a track or pay per track per burn extra, nobody is going to go for it.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
Those who are experts in the fields of surveillance, privacy, and technology say that there need to be two tracks: a policy track and a technology track. The technology track is encryption. It works and if you want privacy, then you should use it.
Treat each guitar track-and each song-completely different. For example, if I'm using a certain amp and guitar on one track, I'll deliberately use something else for the next tune or overdub.
The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.
When Nas and AZ send you a track, you know it is serious business. Same with Styles P and Jadakiss - then it is serious business. But when you get a trap music track, you know it's time to dumb it down.
Never mind the track. The track is for punks. We are Road People. We are Cafe Racers.
Each track has to be precise, and that is a problem on a rhythmically complex track like 'Slaughtered.'
I did sing a track for Dhanush's '3,' but that's because the track required a voice like mine.
This site uses cookies to ensure you get the best experience. More info...
Got it!