A Quote by Rostam Batmanglij
I never felt like there were things I couldn't express lyrically in Vampire Weekend. I was always proud of everything that we wrote together.
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There's a few times in the past when I wrote a song, and I put the words together, and they were very clear pictures, and I felt like I was putting together a really good story. But I don't think I was ever really able to stay on that. What I've sort of developed lyrically is more about the sound of the vocals and what they are.
After I wrote 'The Best Of Times' for my dad and after I completed the '12 Steps Suite' with Dream Theater, I very much felt like I had said everything I wanted to say lyrically.
I've always thought vampires were interesting because they live forever, they're always well-financed, they dress well, you know what I mean? And they're, like, cool. Usually vampire - you've never seen a broke vampire. Have you?
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
I don't know that I've ever felt as happy as I did that day, but then again, it was always like that when we were together. I never wanted it to end.
Swampy [ Marsh] and I live as far away from each other as we possibly can and still work together. But we just always felt like we were funnier when we were in the room together than we are when we're separate.
Some days felt longer than other days. Some days felt like two whole days. Unfortunately those days were never weekend days. Our Saturdays and Sundays passed in half the time of a normal workday. In other words, some weeks it felt like we worked ten straight days and had only one day off.
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
Death Cab always gets right of first refusal on everything I write, but I tend to know early on. There's a song that has yet to be released - it might come to light at some point in the near future - that when I was writing it, I was really proud of it lyrically.
What's interesting about Vampire Weekend, everyone in the band, except for me, had a band in high school in which they were the lead singers. And I'm the one who never had that experience.
I've never felt limited by my circumstances, no matter what they were. Even when I was living in Iowa, it wasn't like I had big dreams, but it wasn't that I felt I couldn't have any. I always felt very capable.
Most people have come to know the time that John Lennon and I spent together as The Lost Weekend. I am always surprised by how many people are under the impression that our time together lasted only a single weekend.
Always felt like I did things right, always felt like I did things for the community and did everything well in New Orleans.
I've always kind of known what I like and what I don't. And never felt any pressure to wear certain things or watch certain things... It's hard to explain, but I've just always felt it.
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