A Quote by Rostam Batmanglij

I feel like I've had this ability to infiltrate, as an outsider and an insider, different groups. — © Rostam Batmanglij
I feel like I've had this ability to infiltrate, as an outsider and an insider, different groups.
I don't know if I feel like an outsider or an insider; I just feel like I always did. I don't have one of those stories where I felt like no one understood me.
I think you only really feel like an outsider if you've been an insider.
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
I became really absorbed but again I was at that point - and I still remain today - an outsider who has no interest in becoming an insider, let alone in what that insider perspective on [Buckminster Fuller] has come to be and come to represent.
I've always felt like an outsider across the board, since day one. The challenge has been to simply not pay attention to my outsider or insider status and just do the work and play the shows and connect with the people. And not even bother to play this game of keeping score, which is what destroys you.
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
Guns can turn you into an insider even if you're an outsider by nature, recruiting you into a loose fraternity of people who feel embattled and defensive and are primally eager to win allies.
Sometimes I fantasize about learning to write in Khmer. Because if I could write in Khmer, my perspective would be very different, because I'm both an outsider and insider and I see the writing in a different way. My description would be different from, say, a local writer.
I'm both an insider and an outsider.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
I was a total fashion insider who became an outsider when I did bridal.
I am not an insider - definitely not... but I don't think you could call me an outsider.
In my former life I was in insider, as much as anybody else. And I knew what it's like, and I still know what it's like to be an insider. It's not bad.
I've always straddled a weird line - there's a lot of mainstream stuff that I love. At the same, I still feel like an outsider. I'm the outsider who's on the inside.
I always had this crisis: where do I come from? I was never an insider, never an outsider; I was always in the middle. But it means I never have borders in my head.
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