A Quote by Rostam Batmanglij

I'm always making beats, and when I can hear Ezra singing on one of them in my head, I send it to him. That's one of the ways that we've always worked together. — © Rostam Batmanglij
I'm always making beats, and when I can hear Ezra singing on one of them in my head, I send it to him. That's one of the ways that we've always worked together.
Jaan would send me songs and ask me what I thought about his singing. I have always encouraged him, and I always will. He asked me to call a few industry people who I know. I called Mukesh Bhattji, Ramesh Tauraniji and a few others, and Jaan went to meet them, but now it's up to them if they want to give him work.
I have done whole projects with Scoop Deville, I like to basically work with a single producer. I always just worked on a bunch of songs, and then put them together, whether it was an EP or another project. None of them were mixtapes where I was rapping over other peoples beats.
I'm always going to be making costumes. It's one of the ways I relax my brain. In addition to the pleasure of having the piece, there is a deep and abiding pleasure for me assembling something in my head - learning to know something in its totality in my head, and then putting together all the constituent parts into a cohesive whole.
In my living room, I was always playing guitar and writing songs and singing them. My dad and I would always sing together - only for friends and family, but always since I was a little girl.
When I tried to send him beats in 2010, he told me I was too expensive for him. I told Future we had to work together, that it would be beneficial for both of us, that we didn't have to worry about the money.
I always have melodies flowing in my head - whether I'm just at home, at the mall, at a restaurant or wherever. I'm always humming along to the random melodies that form in my head. My friends always ask me, 'What are you singing?' and I'll be like, 'I don't know!'
When I write, there are times -- not always -- when I hear John (Lennon) in my head, ... I'll think, OK, what would we have done here?, and I can hear him gripe or approve.
Producing isn't just making beats on a beat machine. It's bringing together these string players with this flute player and this singer, and telling them to all work in the key of C major... You bring these people together and let them all cook.
I've always wanted to be a director; it's just how my mind has always worked. If I hear music, I see music videos and all the shots and setups to edit it all together. If I interact with a person, I'm seeing a whole scene come to life.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
On the song 'Step,' the chorus is Ezra is singing into my laptop with the laptop microphone, and you can hear the trains going by my apartment, but we liked the quality of that recording.
I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, 'Bet, now I can focus on writing and singing.'
I love singing and performing. I'm always singing. Even if I'm at school or in the car, I'm always singing. My mom said ever since I could talk, I was singing.
I was not a good father in my first marriage. Although there are ways of deserting the family without leaving physically, I was deserted in my head. I was always out, always in the saloons, always drinking, always messing about.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
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