A Quote by Rotimi
You're put on this platform where you see beauty every day, and you kinda get numb to it. So then it's like, 'What else do you have? You really can't hold a conversation? Next'.
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Very few interviews are a conversation. It's usually a question and I have to answer for two minutes. By the end of the day, I kind of feel gross. It's like you go to dinner with a friend and then you get home and you're like: "Ugh, I dominated that conversation too much. I wish I let them talk more." That's how it feels for me every day I do press.
You know how you always expect someone to think the same as you and then your like, really shocked when they don't? Like when it's a cold day and you turn to the person next to you and say, 'Its so cold, aren't you cold?' and then they say 'no.' It's kinda like, 'what, are you a communist?'
That's how powerful you are, girl...You pretty, but pretty alone is not what people see. You the kinda pretty, the kinda beauty, that's like a mirror. Men and women see themselves in you, only now they so beautiful that they can't bear to see you go.
When you first get into television it is a big deal, then you realize you are no better than anyone else, we just have a platform to use, to help other people. I use that platform for the work I do in the military, the work I do with cancer because I was fortunate enough to get that platform.
I think it is really helpful to see the beauty in every situation. I guess it's being able to see it in unexpected places. If you're fed too much of an image of what beauty is then you might define it as a certain specific thing, but when you have your own idea of what it is, or your own feelings of what beauty is, then it becomes so wide and so indefinable.
I go on the road all the time, but I'm only performing for two hours a night, and then I'll do a meet-and-greet, and then I'll get a bite to eat, get drunk, pass out, wake up the next day, sleeping the next day, sleeping off the hangover, and then I'm in the next city.
Really, every day is the perfect day to boss up. Every day that you wake up is a perfect day to boss up. It's all about continuing to put one foot in front of the next. That's what it's about. Whatever you think you're going through, just put one foot in front of the next.
I love L.A. I mean, in Ireland it just rains all the time, it's crap weather, so it's nice to go to L.A. where it's just sunshine every day, and then it's kinda easier to live a kinda healthy lifestyle. As opposed to New York, where you just drink all day.
We all get habituated, right? You get up in the morning, have your coffee, and read your newspaper, and that’s great. Everybody loves life in its mundane, daily aspects. It’s what makes us feel secure. But I also start to go numb a little bit and I don’t see what’s around me. So I put myself in a new situation and suddenly I’m really seeing the person next to me, hearing music, and I’m smelling, and I can’t help but want to write it down.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
Sometimes I'll go by and there are a couple of swans, the next day it's a few ducks. I'd like to stop there every day for a year and capture how it changes, then put it all together to create an incredible image of a traditional English scene.
I get this a lot: 'Oh, can you take a picture with my baby? Can you hold the baby?' I don't want to hold your baby! I'll hold my baby. I don't like holding someone else's baby. I'm serious! You never know what could happen. It's such an awkward position you're put in, and it's like, 'No, sorry.'
Crime shows are really popular, in general, but usually, at the end of every episode, you have to let go of the people that you've invested in and then, the next week, get somebody else.
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
What Must-See T.V. was all about was one network, one night, for one decade. And a third of the country would come and watch Must-See T.V. And you didn't dare go to work the next day, because if you hadn't watched, you would be left out of the conversation, that water-cooler conversation.
I knew I wasn't going back to Brooklyn... I never knew exactly. I just kinda - you work with these guys every day. You see the same players, you see the same coaching staff, you see the same trainers every day. So when they start to act a little different, you recognize it... I could feel it.
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