I launched Imperia at the Statue of Liberty because I wanted to use something symbolic. I like American society because it always wants to do something new and better.
I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
We have the Statue of Liberty on the East Coast. But in the name of freedom, people have done a lot of damage. I think we have to build a Statue of Responsibility on the West Coast in order to counterbalance. Because liberty without responsibility is not true liberty. We are not free to destroy.
Jesus is magic, because he turned water into wine. I think he made the statue of liberty disappear in the 80s or something.
I don't use iMovie and don't use shitty little cameras to try to prove something or say something because that's a part of the process. We do it just because that's what we like to use.
What was moving, I think, was the fact that the statue is a woman and not a heroic, manly figure. So for all her scale and immensity, there's something soft about the Statue of Liberty, something tender about her.
Creating a piece of software is always complicated because you're doing something new. If you just wanted something that had been done before you'd just use that old piece of software. So there are no repetitive tasks.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
Now there was no wonder in the Statue of Liberty illusion because he, Copperfield, attempted to do something so large that it stretched the credibility of the audience to the point where most people didn't believe any of it anymore.
The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.
I don't think there is anybody who's watching television right now who wants to see something because it looks good rather than feel something because it feels right or familiar or new or whatever.
I was lucky I went to school in London because the tutors could see what to do. I knew I wanted to do something different. Why would I want to do what other people were already doing, because they would always do it better? I always wanted to work around the body. So throughout my college years, my work was quite free.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
In commemoration of the fact that France was our ally in securing independence the citizens of that nation joined with the citizens of the United States in placing in New York harbor an heroic statue representing Liberty enlightening the world. What course shall our nation pursue? Send the statue of Liberty back to France and borrow from England a statue of William the Conqueror?
There's a reason why in New York Harbor we have the Statue of Liberty, not the Statue of Equality.
I had to be different in order to be interesting because audience always wants something fresh and new.
I detest symbolic protest, as it is an outcry of weak, middle-of-the-road, liberal eunuchs. If an individual feels strongly enough about something to do something about it, then he shouldn't prostitute himself by doing something symbolic. He should get out and do something real.