A Quote by Rowan Atkinson
I find his films about as funny as getting an arrow through the neck and discovering there's a gas bill tied to it.
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I'm thrilled to be taking over Green Arrow. What I adore about the Arrow is his recklessness. He'll shoot off on an impulse, dispatch someone if they deserve it; his heroism is instinctive.
In 1979 I teamed up with my friend and business partner, Bill DeWitt, and together we formed an oil and gas company that invested through limited partnerships in oil and gas exploration.
Lawyers-they get together all day and say to each other, "What can we postpone next?" The only thing they don't postpone, of course, is their bill, which arrives regularly. You've heard about the man who got the bill from his lawyer which said, "For crossing the street to speak to you and discovering it was not you, twelve dollars."
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
As the traveler who has lost his way, throws his reins on his horse's neck, and trusts to the instinct of the animal to find his road, so must we do with the divine animal who carries us through this world
It's never fun to run out of gas while on a road trip, But the adventure of trying to find gas when your in the middle a nowhere usually ends up being a funny story a few years down the line.
It's funny to see my friends going through that middle-age thing about losing their hair. I went through it in college. They all say, "Oh my God, I'm getting old. I'm never getting laid again." Shut up. Yes, you are.
Expeditions are escapism. The stuff that we're normally concerned about just doesn't matter out there. Tax returns, gas bill, none of it. Life becomes very simple, it's about moving in a certain direction - north if you're going north - staying warm and not getting eaten. That's it.
The film is about Joe discovering who his mother and father are and his relationship with them, and the identity crisis he goes through once he finds out who his parents are.
The great thing about getting married young like I did and having a child so young is that he gets to know all the relatives. He knew his great-grandmother, and we sat down together and tied down the stories of our uncles and aunts. They were quite the characters, and we tied them to about 50 recipes. It's like a memoir-cookbook.
The first of the month falls every month, too, North or South. And them white folks who sends bills never forgets to send them-the phone bill, the furniture bill, the water bill, the gas bill, insurance, house rent.
My motto in life is 'aim true'. It came from my love of Artemis, the goddess of the hunt. She inspired me to sport a gold arrow around my neck because it reminded me of her strength and that I can always hit my mark when I set intention, follow what makes my heart beat, and aim true. The arrow was a reminder that I can cut through any obstacles, that I have power, beauty, and the ability to choose love over fear every moment of my life.
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
Oprah is rich; Bill Gates is wealthy. If Bill Gates woke up tomorrow with Oprah's money, he'd jump out of a window and slit his throat on the way down saying, 'I can't even put gas in my plane!'
Oprah is rich, Bill Gates is wealthy. If Bill Gates woke up tomorrow with Oprah's money, he'd jump out a fuckin' window and slit his throat on the way down saying, "I can't even put gas in my plane!"
Humor has historically been tied to the mores of the day. The Yellow Kid was predicated on what people thought was funny about the immigrant Irish. When you're different in a society, you're funny.
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