A Quote by Rowan Atkinson

It was the challenge of that that I found daunting, but also engaging and interesting [to play Maigret]. — © Rowan Atkinson
It was the challenge of that that I found daunting, but also engaging and interesting [to play Maigret].
We haven't made any particular decision [on Maigret], I haven't been asked if I want to carry on with it. All these things are a matter of whether you feel as though the idea is developing and whether it's still interesting to play.
When Niki and I moved to Paris, there was also the challenge of Paris, an extremely daunting city.
I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.
The challenge presented by the prospect of superintelligence, and how we might best respond is quite possibly the most important and most daunting challenge humanity has ever faced. And-whether we succeed or fail-it is probably the last challenge we will ever face.
I'm here to challenge myself and to see whether I can shape-shift in an environment that's actually quite daunting, but which I think would be nice to shine a light into. The destination of any interesting drama is that you shine a light into a place that not many people know about.
I always found it a great challenge playing against Michael Jordan, to play against Magic Johnson, to play against Larry Bird, to play against all those good players because it's something that you can take away from it.
So many of the sounds that contemporary composers were trying to create were to be found in the traditional musics of the world. That was encouraging but also little daunting to think that you had to work so hard to be new and yet it was old.
Essentially, you become a top tweet because so many people are engaging with that tweet. They're either retweeting it, or they're favoriting it; they're doing one of many things to indicate to us that that tweet is interesting and engaging to users.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
Once in a while it's good to challenge yourself in a way that's really daunting.
The job is interesting, and the task is difficult, but the man [Maigret] is just a decent man doing a very ordinary job.
It's an amazingly daunting prospect to play any part you've seen someone else play brilliantly.
Kids who don't play are not just at greater risk of falling behind academically, but also of becoming overweight or obese, failing to integrate socially, and even engaging in criminal activity.
Genre-spanning is the effort to make the live show interesting. It's also a great way to challenge yourself as a writer.
This is sort of inflection-free acting [playing Maigret], and I really wasn't sure if I could do it - you make your mind up on whether I've succeeded or not. But yes, I found it difficult when we were shooting; it was a couple of weeks before I settled into not worrying - to finding a way of delivering those lines - so my worries of many months before I think had been justified. I found it a difficult way of being.
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