A Quote by Rowan Atkinson
I'm sure that a French production of this [Maigret series] would be different. For better or worse, who's to say, but probably not very good for 8 o'clock on ITV.
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ITV and the production company contacted me and asked if I fancied playing the role [of Maigret]. It took me a long time to decide to do it. In fact, I decided not to. I thought about it for some weeks, and thought 'perhaps not' and it went away for a while, and then it sort of came back. They said 'Are you sure you don't want to play him?', so I thought about it for a lot longer again, and eventually decided that I would.
Yeah, there are a couple of wrestling shows out there with very, very good production values in RAW and SmackDown, but I think we're going to offer something completely different from what they offer, a very, very different kind of product that visually is going to look as good or better in a lot of ways.
The only thing I wouldn't like to do is to play roles as a musician. I'm not sure that I would be comfortable doing that, and I'm not sure I'd be very good at it. I think I would be better served, and would be a better partner, if I was in something outside of myself.
The Maigret stories are all very different in terms of the content and the way that the stories are told. They're not what I would call formulaic.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I made a series for ITV, just after I retired from Tests in 2009, called 'Flintoff Versus the World.' The idea was that I would attempt a series of extreme sports - rodeo riding, jumping out of aeroplanes, paragliding, cliff diving. I thought, 'Yeah, it looks fun. It's six weeks having a laugh.'
A great deal; you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way; they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should - so hard as to teach the person who struck us never to do it again.
One of my previous incarnations is as a question writer, so I'd worked on shows like 'The Weakest Link' and a couple of very short-lived ITV series.
When I was filming in Budapest for ITV's 'Titanic,' I realised I'd never been to the ballet before so decided to see a production of 'Giselle.' I went on my own. As it was my first ballet, it was a very bizarre and interesting experience but very enjoyable.
All change brings bad things and good things to replace the bad and good things that were before. It is natural to look back and say it was better before—but that does not make it true. Different is not worse. It is just different.
Gujarat is a pro-business state, where civil society organisations are comfortable with working to make sure that business does not suffer. Large parts of the rest of India, for better or worse, are very different.
I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
I have just learned a delicious French usage. On wedding invitations when they say the mass is at noon they mean one o'clock -when they say at noon precise they mean half after twelve - and when they say at very precisely noon they mean noon.
Oddly-shaped is a term I've been using because it doesn't sound better or worse than anyone elses. All those other terms like "f**'ed up childhood" or "broken home," none of them sound good. Were our childhoods better or worse? I don't know. It's different.
The French just said he was a damned nuisance. Or they would have had they the good fortune to speak English. Instead being French they were forced to say it in their own language.
I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.
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