A Quote by Rowan Atkinson

The arts community still has a long lasting cynicism of the importance, or the artistic value, of comedy. Comedy is just farting about for money. — © Rowan Atkinson
The arts community still has a long lasting cynicism of the importance, or the artistic value, of comedy. Comedy is just farting about for money.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
Comedy has sort of been my life-long obsession. I literally obsessed over comedy. I really didn't play sports - for me it was just comedy, computers and chess club; those were my big things.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
I think the world of comedy is a relatively small community, and especially for women in comedy, there just aren't that many people involved.
Partly because the town is just finicky, there are strange Catch 22 clauses in the consciousness of this community and one of them was that you, I found out, you can't do a comedy unless you've just done a comedy.
I was considered a comedy magician. And - how do I put this without sounding egotistical? - it didn't take me long to realize that comedy magicians usually couldn't do comedy or magic.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
There is an overarching comedy community, and then there are little comedy community pockets, almost like the way L.A. is structured. You have this grand scope of what Los Angeles is, but within that, there are all of these multi-functioning cities and neighborhoods.
Comedy is still alive, and there are still funny people. Jews are still overrepresented in comedy and psychiatry and underrepresented in the priesthood. That immigrant Jewish humor is still with us.
I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.
I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
You know, I think British comedy is very smart comedy. You don't get too much dumb comedy over here. Or at least I haven't seen it. If I'm wrong about that, I apologize to all the dumb comedy makers over here.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
I would love to play Mary in 'Long Day's Journey Into Night' or 'Virginia Woolf' or a comedy - just, like, a slapstick comedy.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
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