I think I have an inner confidence that my tastes are pretty simple, that what I find funny finds a wide audience. I'm not particularly intellectual or clever or minority-focused in my creative instincts. And I'm certainly not aware of suppressing more sophisticated ambitions.
I think none of the humor in the first Evil Dead was intentional. We weren't that sophisticated. We got more sophisticated with Evil Dead 2 and Army of Darkness where you can start to manipulate the audience a little more, having more control over the medium instead of just trying to figure out how to do it. I suppose that's pretty normal with any craft. Every carpenter is better 20 years later.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
If you are honest, you are in the minority; if you are clever, you are in the minority; if you do not believe in any religious craps, you are in the minority! If you are not in the herd, you are in the minority! What a glorious privilege to be in this kind of minorities!
Space is an environment of emptiness. It offers no possibility for natural adaptation to any living organism - and particularly not to the highly sophisticated creature, man. Yet man has the ability to resolve this paradox through his intellectual power and creative faculties.
I don't think I need too much help. I think my head's on pretty straight, and I'm pretty realistic about things. I'm very focused, so that certainly prevents me from going all over the place.
Applause is an instinctive, unconscious act expressing the sympathy between actors and audience. Just as our art demands more instinct than intellect in its exercise, so we demand of those who watch us an apppreciation of the simple unconscious kind which finds an outlet in clapping rather than the cold intellectual approval which would self-consciously think applause derogatory. I have yet to meet the actor who was sincere in saying that he disliked applause.
I have a pretty wide range of musical tastes.
The creative person finds himself in a state of turmoil, restlessness, emptiness, and unbearable frustration unless he expresses his inner life in some creative way.
If you're clever enough and creative enough to get a good film made, then you should be clever enough and creative enough to find ways to get it out there, one being something like Jameson First Shot.
You learn to write by reading, and my experiences and tastes as a reader are pretty wide.
I think it's become much harder because I'm more afraid of every step I take. I'm more aware of its ramifications, I'm more aware of the less creative aspects of music - like the business-side of things for example.
I think that Obama is very cool. And I think he's clever, and I think he can be witty. But I don't think he's funny in either the way that Reagan was funny - or John McCain and Dick Cheney are both funny in that ruthless, kind of mean way.
There was a time when I didn't find a single, interesting Hindi TV show to watch, and ended up binging on American TV. Now, with online video streaming services, one is spoilt for choice, and it's getting better in terms of the wide variety of content to satisfy the diverse tastes of its audience.
You have infinite value and worth! You already know you have strengths and inner resources. But you have even more strengths and resources that you are not yet fully aware of, and they will enhance your life as you become more aware of them. There are many more strengths and inner resources that you can gain and build up from now on.
I certainly think, obviously, rhythm is a huge part of being an actor. It just is unconscious, to a degree, but particularly in comedy, rhythm is pretty essential, and there's probably something more physiological going on.
I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.