A Quote by Roxane Gay
I write for myself, first and foremost and I also write for people, mostly women, who just want to be seen and heard and all too often aren't.
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I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
First and foremost, I just want to write comedy.
I've never invested myself properly in trying to write stories. When I write lyrics, mostly I write each sentence separately on an index card and then I lay them out and I just mix them up.
If you want to write, do two things - read lots of books and also, in your own writing, practise. Just write and write and then write again. persist. And never be put off or discouraged. You can do it!
Listen carefully to the feedback your readers give you. Dont write unless people want you to write, a lot of people write just because they want to write.
First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.
The danger that keeps me just a little frightened with every book I write, however, is that I'll overreach myself once too often and try to write a story that I'm just plain not talented or skilful enough to write. That's the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.
Writers often have a 'drunk' that is different than anyone else's. That's why it's so insidious and so damning. First of all, because they can write when they're drinking - or they think they can. A lot of writers will tell me - and this is the latest one I've heard - you drink while you're thinking about what to write, but when you actually write, you sober up.
If you want to be a writer, first and foremost, you must write. If you write, you're a writer. Period.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
I think, taking too long to work on a record, you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour, and I write, and I write.
People often tell me, "You write such great women." I don't think about it, I just write characters as rigorously and as truthfully as I can and hope, no matter their gender, that their humanity comes through.
It is truly excellent to have someone believe in you and your ability to write. But I think it is just as helpful to have people who don't believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world ... write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all those people who are not brave enough to do this grand and wondrous thing themselves. Let them motivate you.
While I write for myself, I also write for other artists too.
Largely I write from life. ... I write from what happens to me. Mostly about love. People notice the other stuff more but I write mostly about love.
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
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