A Quote by Roxane Gay

It is deeply unfair to task writers of color with unique responsibilities that we don't assign to all writers. — © Roxane Gay
It is deeply unfair to task writers of color with unique responsibilities that we don't assign to all writers.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
I try really hard to ask people to take a look at their bookshelves. Are there female writers on it? Gay writers? Writers of color? There should be.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
It's just unfair that talent of color aren't given the same opportunities as white and male actors, directors, producers, writers, et cetera.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.
All of my works are performance pieces, as is true for many writers of color, writers who have indigenous roots - because our basis is spoken word.
The writers who have been serious about recreating American literature have always been far and few between. What we do have at the end of the 20th century that we didn't have at the beginning, at that time of the Lost Generation of rich white boys, is a mixture. We're now getting gay writers of color, let's say, and women of color being published. This is unprecedented.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
I think suspense should be like any other color on a writers palette. I suppose Im in the minority but I think its crazy for literary fiction to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
The problems faced by writers of color are analogous to the problems face by women writers.
When I teach, I try to assign writers from whom I can learn.
I think the special thing about Python is that it's a writers' commune. The writers are in charge. The writers decide what the material is.
There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Good writers borrow from other writers. Great writers steal from them outright.
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