A Quote by Roxane Gay

People of color are not under any kind of obligation beyond working hard, doing their best, and learning from their mistakes. — © Roxane Gay
People of color are not under any kind of obligation beyond working hard, doing their best, and learning from their mistakes.
My mistakes made were learning how to work with different groups of people. I mean, I went to school at Berkeley, which is a pretty diverse group, but working in a professional setting, I hadn't really done that before and learning about office politics, learning about interactions between different people and I made a lot of mistakes there during my time as a young person. I was 19 or 20 at the time. So, I would say those were my biggest career mistakes, but fortunately they were made in the context of an engineering co-op program and not in a professional field.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
I really like working by myself without any distractions, learning from my own mistakes.
I have made many mistakes myself; in learning the anatomy of the eye I dare say, I have spoiled a hatfull; the best surgeon, like the best general, is he who makes the fewest mistakes.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
Entrepreneurial knowledge has little to do with certified expertise, advanced degrees, or the learning of establishment schools. The fashionably educated and cultivated spurn the kind of fanatically focused learning commanded by the innovators. Wealth all too often comes from doing what other people consider insufferably boring or unendurably hard.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
Even during my youth, I can recall very few black people living on any kind of public assistance. People were working, doing some kind of job that was useful to the community.
So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.
I feel like I've lived a life of making mistakes and learning from them and doing my best to only make each mistake once.
I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.
The problem with me is that nothing embarrasses me. Everything I've done ends up working in my favor. Even when I make mistakes and people exploit my mistakes on television or on the Internet, and they use it to make fun of me, it's just kind of working in my favor at the end. It's really strange.
I've written about 2,000 short stories; I've only published 300 and I feel I'm still learning. Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as a writer. Ray Bradbury, 1967 interview (Doing the Math - that means for every story he sold, he wrote six "un-publishable" ones. Keep typing!)
Even when I make mistakes and people exploit my mistakes on television or on the Internet, and they use it to make fun of me, it's just kind of working in my favor at the end. It's really strange.
I want to give people a basic income, so that if you're working hard, doing the best you can, that you can not just survive, but you can have a decent life.
I think doing research is probably the most valuable thing you can do for any career you're interested in pursuing, and not just a career on YouTube or in media. Really take a look at people whose careers you admire and learning from their successes, but also their mistakes.
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