A Quote by Roxane Gay
I was in love with the idea of love, so I created elaborate fictions for my relationships - fictions that allowed me to believe that what any given paramour and I shared looked a lot like love.
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What I am, at any given moment in the process of my becoming a person, will be determined by my relationships with those who love me or refuse to love me, with those whom I love or refuse to love.
Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.
Love has no meaning if it isn't shared. We have been created for greater things - to love and to be loved... To love a person without any conditions, without any expectations. Small things, done in great love, bring joy and peace. To love, it is necessary to give. To give, it is necessary to be free from selfishness.
People bang on all the time about whether what I've done is the truth or not. Well, to me, history is just a series of elaborate fictions.
Your love is unique. Let love remain love, don’t give it any name. The love that is defined by a relationship is limited. The love that is beyond relationships, that is true love
To return to love, to get the love we always wanted but never had, to have the love we want but are not prepared to give, we seek romantic relationships. We believe these relationships, more than any other, will rescue and redeem us. True love does have the power to redeem but only if we are ready for redemption. Love saves us only if we want to be saved.
I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
I am such a sap when it comes to love! I believe in love at first sight all the way. But that's just the way it happened to me with my relationships. I love the idea of two people looking at each other and electricity flying around them; it's so romantic, and it's a great feeling.
My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
I don't believe love is fickle. I believe when you love someone, you are allowed to love from afar. You don't have to be with that person in order to love him.
There is seemingly so little love shared in this world, it is not surprising that we ask, "Where have all the lovers gone?" Since love is the most vital energy for good that is within our power to utilize, it is puzzling why we so seldom do so. Love is just a useless, abstract idea until we put it into action...unless we are always actively living in love, we are not utilizing the greatest gift we have been given and which we, in turn, have to offer.
The best conversation is rare. Society seems to have agreed to treat fictions as realities, and realities as fictions; and the simple lover of truth, especially if on very high grounds, as a religious or intellectual seeker, finds himself a stranger and alien.
Sometimes I think the only memories I have are those that I’ve created around photographs of me as a child. Maybe I’m creating my own life. I distrust any memories I do have. They may be fictions, too.
They reciprocated the great and saving lie--that our love for things is greater than our lover for our love for things--willfully playing the parts they wrote for themselves, willfully creating and believing fictions necessary for life.
Even the most scientific investigator in science, the most thoroughgoing Positivist, cannot dispense with fiction; he must at least make use of categories, and they are already fictions, analogical fictions, or labels, which give us the same pleasure as children receive when they are told the "name" of a thing.
I very much like the idea of the unreliable narrator. Shaping my fictions as monologues - by introducing the "I" - allows me to be as unreliable as I like.
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