A Quote by Roxane Gay

No one is helped when cultural critics use their voices irresponsibly. — © Roxane Gay
No one is helped when cultural critics use their voices irresponsibly.
I think the harsh reviews helped, in that I spent way more energy in the preproduction and development. From this point of view, I'm very thankful for the harsh critics. I still think the critics were unnecessarily insulting in a lot of things, but I think it helped.
If you are not afraid of the voices inside you, you will not fear the critics outside you. Besides, those voices are merely guardians and demons protecting the real treasure, the first thoughts of the mind.
I think at the end of the day with any technology, whether you're talking about facial recognition technology or anything else, the people that use the technology have to be responsible for it, and if they use it irresponsibly, they have to be held accountable.
I built my [early] career on negative reviews. There was a cultural war going on, the '60s was going on. All the film critics were square. They hated my movies. You could never have that happen today. Critics are way too hip.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
We refuse to share resources; we govern irresponsibly. If we are confident, if we have some of our cultural values, then we would be more committed to assisting our people out of poverty and creating an environment that can make it possible for our friends to assist us.
When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.
By suggestion and example, I believe children can be helped to hear the many voices about them. Take Time to listen and talk about the voices of the earth and what they mean-the majestic voice of thunder, the winds, the sound of surf or flowing streams.
If you are not afraid of the voices inside you, you will not fear the critics outside you.
I encourage people to find and use the power of their voices just as much when I do not agree with those voices as when I do agree with them.
Critics have a responsibility to put things in a cultural and sociological or political context. That is important.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
Many critics see international trade as a form of cultural imperialism that must be strictly controlled.
Critics kind never mind! Critics flatter no matter! Critics blame all the same! Do your best damn the rest!
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.
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