A Quote by Roy Ayers

Now I get exposure first with people directly in the clubs. This is a unique situation for me. — © Roy Ayers
Now I get exposure first with people directly in the clubs. This is a unique situation for me.
Now we know everything about golf equipment. A player doesn't have to know diddly about golf clubs, because we know what a golf club can do and how it can fit to you. I hate to harp on my era because people don't like that, but 30 years back was so different. I didn't have maxed-out clubs. The clubs now are amazing.
'The Dante Club' was one of America's most important book clubs, as their Wednesday night meetings ultimately led to our country's first exposure to Dante's poetry on a wide scale.
For a while I was a completely unknown artist with no fan base and no draw in the clubs. The only people that would give me a shot were the gay clubs. Gay clubs were so open to me coming in and trying things out.
Frequently I get asked if I'd rather have spent my career in a big city like New York or Los Angeles, where the exposure would be greater than in Seattle. My answer is no, not at all. Exposure is not important to me.
The first part of my life was to be an actor and maybe have some success at that. Then [it was time] to find somebody to be in a relationship with and have a life that way. Because of Parkinson's, I had to change: How can I be of service here? Is there something unique to my situation that I can use to help people? I did not have the wherewithal to invent that. It just happened in front of me and had me join in.
We're all unique as actors. To yourself, you are unique. You have to think, 'I'm me. I'm not going to bunch myself with other people.' Agents and producers have to get you into a box to accommodate their limited imaginations.
We're all unique as actors. To yourself, you are unique, you have to think 'I'm me, I'm not going to bunch myself with other people.' Agents and producers have to get you into a box, to accommodate their limited imaginations.
I've gotten a lot of exposure for my writing. My writing blog has gotten over 1000 unique hits since the Observer piece (quite a lot as before it was something like 20 people a day if I was lucky.) But more importantly the coverage exposed me to and so has allowed me to connect with a lot of new people I really enjoy interacting with.
My dad taught me how to get into clubs and what to look for in clubs, and he always stressed to me that a 3-wood, 4-wood or 5-wood was the toughest club to dial in and if you find a good one to keep it.
It's ridiculous if you ask me. I don't know what any of us are doing here. But we're a tribe, a network, cruising the galaxy. We have offices in every loka, in every part of existence. I suppose you make that out to be a unique situation. We're Unique! No, I don't think so. We're enlightenment.
Graphite also absorbs the shock of a hit. The first (graphite) clubs that came out were too flexible, but now you can get them to be just as firm as you want and need.
They want to deceive their people first because now they are in a very shabby situation
I, personally, would be shocked if we went to the end of the tape now and I didn't have at least one... Look, even if I don't get one directly, eventually they're just going to have to give me one when I get old. So no matter how you slice it, I'm getting one.
What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
My internship with Oberoi hotels and later working with the ITC group in Jaipur helped me get a better exposure; I got to meet expatriates and get acquainted with people from different parts of the country.
It's more about subtracting every single buck from the tourists that still flock there. Gentrification and the need for developers to maximize their profits from every square inch of the place means that there just aren't any scruffy little basement clubs left. Those scruffy little basement clubs were the areas lifeblood. Now, it's all penthouse flats and global brands. They destroyed the very thing that drew people there in the first place - it's superficial sleaziness.
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