A Quote by Roy Chapman Andrews
Palaeontology is the Aladdin's lamp of the most deserted and lifeless regions of the earth; it touches the rocks and there spring forth in orderly succession the monarchs of the past and the ancient river streams and savannahs wherein they flourished. The rocks usually hide their story in the most difficult and inaccessible places.
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Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.
If you act like the river, you ultimately flow past all the rocks along the way.
And part of the soil is called to wash away In storms and streams shave close and gnaw the rocks. Besides, whatever the earth feeds and grows Is restored to earth. And since she surely is The womb of all things and their common grave, Earth must dwindle, you see and take on growth again.
Maybe she thought the garbage and rocks in your head were interesting. But finally, garbage is garbage and rocks are rocks.
...a river season will last as long as it takes you to reach your new place. If you get into the river and let it take you where you need to be, your river season will last an afternoon. But if you fear change and struggle and hold on to the rocks, the river season will last and last. It will not end until your body becomes exhausted, your grip weakens, your hands slide off the rocks and the current takes you to your new place.
You can crash on one set of rocks or the other set of rocks, and they crashed on the other set of rocks, which was probably being too little to be commercially viable.
Searching for companies is like looking for grubs under rocks: if you turn over 10 rocks you'll likely find one grub; if you turn over 20 rocks you'll find two.
Whoever touches the life of the child touches the most sensitive point of a whole which has roots in the most distant past and climbs toward the infinite future.
I am beginning to understand that the stream the scientists are studying is not just a little creek. It's a river of energy that moves across regions in great geographic cycles. Here, life and death are only different points on a continuum. The stream flows in a circle through time and space, turning death into life across coastal ecosystems, as it has for more than a million years. But such streams no longer flow in the places where most of us live.
I saw doves and I thought they were rocks, but they were asleep. My breath made them stir, and they rocks took flight, the earth exploding... and my only thought was that I wanted you to see them, too.
There were no men in this painting, but it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
It{California} is the land where the fabled Aladdin's Lamp lies buried-and she {San Francisco} is the new Aladdin who shall seize it from its obscurity and summon the genie and command him to crown her with power and greatness and bring to her feet the hoarded treasures of the earth.
Elizabeth Hurley rocks. She really rocks.
As the woods are the same, the trees standing in their places, the rocks and the earth... they are always different too, as lights and shadows and seasons and moods pass through them.
Under various names, I have praised only you, rivers!
You are milk and honey and love and death and dance.
From a spring in hidden grottoes, seeping from mossy rocks,
Where a goddess pours live water from a pitcher,
At clear streams in the meadow, where rills murmur underground,
Your race and my race begin, and amazement, and quick passage.
Think of a rock polisher, one of those drums, goes round and round, rolls twenty-four/seven, full of water and rocks and gravel. Grinding it all up. Round and round. Polishing those ugly rocks into gemstones. That’s the earth. Why it goes around. We’re the rocks. And what happens to us—the drama and pain and joy and war and sickness and victory and abuse—why, that’s just the water and sand to erode us. Grind us down. To polish us up, nice and bright.
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