A Quote by Roy Choi
A lot of my friend's mothers and parents worked at Paramount Studios, so I would always go. I met the Fonz when I was really young, like four or five years old. I was always around people in entertainment all the time throughout my whole life.
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I've met a lot of people since I was around four years old, some really big ones along the way, and I don't think I've met anyone who's as generous of spirit as Quentin Tarantino.
When I was a kid I used to scoot under the table, and whenever company would come around you know or my sisters or parents would tell me, go under the table and I'd do it because it was entertainment for the family or aunts or whatever. And one time at the Paramount when I first did it, you know, Brooklyn Paramount, I did it in the act during an instrumental and it got a big ovation and so I coined it as one of the things I should do in the act. And since I've been doing it.
My best friend and I go to bed at 11 o'clock. We have such old lady schedules. Everyone's always like, 'Let's go out!' And we're always like, 'No, we don't want to.' They call us the grandmas. L.A. can get really old really quickly if you waste your life away in a club all night.
I was always around basketball, from when I was four or five years old.
Country artists, I met a lot of them when I was five, six years old. I had an uncle who was a country and western singer and I met Lefty Frizzell when I was five or six years old in those shows that would come through Toronto from Nashville.
If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old, we wouldn't be able to survive. We would have a hard time surviving if we were transported to the time when dinosaurs were around.
Kids watch their parents, right? And when kids are three, four, five-years-old, that's when they're like a sponge, and who they are is really developed by the time they are seven.
I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.
I go to studios and dance all the time. And that's something that will always be instilled in me. That was always my first passion from the time I was 3 years old - dance.
When anybody, no matter how old they are, loses a parent, I think it hurts the same as if you were only five years old, you know? I think all of us are always five years old in the presence and absence of our parents.
It's something that I've always done. I started singing when I was four years old; that was the first time I took a voice lesson. I would say, maybe from five years on, I sang on stages constantly. That's what I call my natural habitat: It's a place where I feel most like myself and the most confident, the most excited.
When I used to live in Chicago - went to school there for four years and lived there for two years after - the whole time, I worked at this restaurant called DMK, and people would come in, and I would wait on their tables, and they would say, 'Oh my gosh, man. You look like the dude from 'Parks and Rec.' You look like Jean-Ralphio.'
My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
Somebody told me a story where they met a celebrity when they were six years old, and the celebrity was really mean. They still remember that to this day. I never want some 22-year-old in ten years' time to say, 'I met Madelaine Petcsh, and it ruined my idea of celebrities,' so I'm always aware.
I don't like to go beyond modernity because you think girls might be like that in five years, but in five years what I see now is going to be old; we are always going to go somewhere else. You have to bring a few novelties within what will remain.
Throughout my career, I had a lot of mentors, and I just adopted them. What I found is that, especially if you're young, when you go up to people and say, 'Would you mind being my mentor?,' their eyes widen. They literally step back. What they're thinking about is the commitment and time involved if they say yes. And time is something they don't have. So I would not ask them to be my mentor, but I would just start treating them like it. And that worked very well for me.
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